With AMC’s production of Better Call Saul in full swing, and Breaking Bad nominated for several Emmy awards, it seems like a good time to reflect on the show. Enter this cool infographic that outlines each of the main character’s criminal charges from the series’ run. Walter and his pals sure where busy little criminal bees, that’s for sure. Personally, I can’t wait for Better Call Saul to hit the airwaves, hopefully complete with key cameos from Bryan Cranston and Aaron Paul. As I’m sure Walter would say, you can never have enough of a good thing. Click the image to see the entire info graphic.
While on a routine cargo drop to the Tantalus Penal Colony, the Enterprise takes on a stowaway, the violently insane Dr. Simon Van Gelder. The episode’s one perfect shot depicts Spock preparing for the series’ very first Vulcan mind-meld while Dr. McCoy looks on. This shot is quintessential original series Trek – the concerned look on McCoy’s face as Spock is hunched over in deep meditation speaks volumes about the two’s relationship with each other. They team up to perform a risky procedure in the hopes of uncovering what’s really happening at Doctor Tristan Adams’ institute of horrors, and manage to save Jim in the process. Dagger of the Mind is one of the very first episodes I remember loving and remains a personal favorite to this day.
Next time Kirk demonstrates to Spock poker’s advantages over chess in “The Corbomite Maneuver”.
In the entire history of Star Trek, episodes that feature stories centered on children are some of the weaker installments, but season one’s ‘Miri‘ is the exception to the rule. After responding to a planetary distress call, the Enterprise landing party contracts a virulent disease that will quickly kill them unless a cure can be found. All of the adults, or “grups” as they are called have died leaving the children or “onlies” behind to fend for themselves. When the children enter puberty and start to become adults, they too contract the disease and eventually die a painful, violent death. The onlies distrust all grups and steal the landing party’s communicators, cutting off contact with the Enterprise along with any hope of finding an antidote. Kirk must convince one of the eldest onlies, a girl named Miri, to help him retrieve their communicators if they are to survive.
The episode’s one perfect shot is of the title character, Miri, as she spies on Kirk, Rand and the rest of the Enterprise grups desperately trying to isolate the disease that wiped out her entire planet. Miri is played wonderfully by actress Kim Darby who went onto star in a number of other TV and movie rolls including the original True Grit with John Wayne, Better Off Dead and Don’t Be Afriad of the Dark. I love this shot of Miri half-hidden behind a doorway as she tries to decide if the adults from another world have come to help or hurt her and her friends.
A sad production note: I learned while researching this episode that after filming was complete, at the friday-night after party for the cast, actress Grace Lee Whitney was sexually assaulted by a member of the show whom she only identifies as “The Executive” in her autobiography The Longest Trek: My Tour of the Galaxy. Horribly, she was fired from Star Trek soon afterwards and didn’t appear in the franchise again until the feature films. I shutter to think which Executive could have done this to her, but no matter who it was, it surely is one of the darkest footnotes in Star Trek’s long history.
Next time Spock prepares a historic first in the series – the Vulcan mind meld in ‘Dagger of the Mind‘!
The crew of the Enterprise goes in search of Roger Korby, a famous scientist missing for over five years and gets much more than they bargained for in season one’s ‘What Are Little Girls Made Of?‘. Korby has chanced upon an extinct civilization that long ago learned how to transfer human consciousness into the body of androids. He intends to bring this technology to the galaxy, by hook or by crook, and tries to convince Captain Kirk and his former fiancée, Nurse Christine Chapel of the importance of his discoveries with a personal demonstration.
Our one perfect shot for ‘Little Girls…” takes place as Korby forcefully straps Kirk into the android duplication machine, a robotic blank on one side, the naked captain on the other. The device spins up to speed and when it winds back down an exact replica of the Captain appears before Christine, one so perfect even she can’t tell them apart! I love how the physical prop of the duplication machine bisects the screen for the camera and creates a mirror image. I’m sure its design made the process of optical composting easier for the special effects team, but beyond that it just looks plain cool. Shatner as Kirk is naked and more vulnerable that we’ve ever seen him in the series which gives the whole scene a tense, Twilight Zonish vibe.
While I was picking the shot for this episode I was once again struck with the amazing use of color from scene to scene. Taking a cue from the fine folks over at Dribbble.com, I’ve created a fun color palette based on the hues from the selected shot. It’s fascinating to see how the individual colors form a harmonious palette that makes up a typical frame from Trek. I won’t be doing this for every post but I think it would be fun to create them for key shots from time to time and get a better sense of the vibrant use of color in the original Star Trek.
Finally, I felt I just had to post at least one of the incredible re-mastered special effects shots from this episode. I’m taking all of my perfect shots from Netflix streaming and this works great because this is the re-mastered HD version of the series that Paramount released on blu ray a few years back. I’ll go into more detail about the fantastic improvements in special effects the team at CBS managed to achieve, but for now, just take a minute and click on this epic shot of the Enterprise. For a Star Trek fan like myself, it’s simply stunning.
Next time we visit another exact duplicate, but this time it’s an entire planet Earth in ‘Miri‘.
Our one perfect shot for ‘Mudd’s Women‘ introduces us to Eve, Ruth and Magda, Harry Mudd’s traveling companions and “cargo” destined to become the wives of settlers on the planet Ophiuchus III. The bewitching trio are rescued from their damaged freighter and step off the transporter pad quickly ensnaring the male members of the Enterprise crew thanks to something called the Venus drug which creates illusory beauty. The episode is notable mainly for the introduction of the character of Harry Mudd himself who eventually returns to taunt the Enterprise crew in S2, Ep 12 ‘I, Mudd‘.
I have to admit, selecting this one was child’s play. It’s a great example of how the series’ production designers and directors portrayed many of the beautiful women who graced the small screen during the show’s three year run. Be they exotic, alien femme fatales or capable crew members of the Starship Enterprise, women on Star Trek always seemed to have perfect lighting, makeup, hair and framing. They were also typically shot using a soft-focus filter to highlight the femininity of the actresses, a technique often used in 60′s television but rarely seen today.
Tomorrow we find out just “What Are Little Girls Made Of?” and something tells me it won’t be sugar, spice and everything nice.
The Enemy Within is a dramatic examination of the human psyche and all the good and bad things that go along with it. When Kirk is split into two halves by a freak transporter accident, Jim quickly finds he can’t function as Captain without the aggressive, animalistic nature of his opposite self. The episode is interesting on a number of levels, most especially how the interplay between the “big three” – Kirk, Spock and McCoy changes as Jim’s assertive side wanders the ship in search of Saurian brandy.
As a kid, I always found episodes where the main characters behaved unusually the most difficult to watch and ‘Enemy’ falls squarely into this category. The normal, sure-footed Kirk is given to second-guessing every order as he slowly but surely turns into a mere shadow of his former self. Just as painful is the “evil” Captain who drinks, throws fits of uncontrollable anger and almost manages to rape Yeoman Janice Rand. To his credit, William Shatner does a remarkable job of making the two halves seem like completely different people. One smarmy and creepy, the other gentle and timid. Neither is our Captain however, and the quicker we get them back together, the better.
This episode’s perfect shot comes as Kirk and Spock descend into Engineering to try and safely capture Jim’s ‘dark’ self. I love how this shot is framed with the two characters conversing between the massive engines of the Starship Enterprise. There are many important duo’s in Star Trek, the most beloved of which is Kirk and Spock. Here we see the pair working together yet again to save not only the crew but Captain Kirk’s very existence. Trust me, it won’t be the last time.
Next we find out if beauty does indeed come in a pill, courtesy of “Mudd’s Women“.
You were expecting Sulu with his rapier perhaps? When fans think of season one’s ‘The Naked Time’, the image that most likely comes to mind is indeed George Takei as Sulu in full Errol Flynn mode. For myself however, the episode is much better represented by the shot above where Spock struggles with his inner self after contracting the Psi 2000 virus. The story gave Leonard Nimoy the first notable opportunity in the series’ run for viewers to get a glimpse of the emotional struggles Spock faces as a half-vulcan, half-human being.
Spock stumbles into the briefing room and futilely attempts to get control of his emotions. Overcome with waves of sadness and anger, he clutches the computer, desperate to hold onto his logical, analytical side, both literally and figuratively. The sickness overcomes Spock until he witnesses how it has effected his friend and Captain, Jim Kirk. The amount of character development that goes on in this short scene is amazing and therefore earns a spot in my One Perfect Shot roster.
Next on the slate, two halves of Captain Kirk don’t necessarily make a whole in ‘The Enemy Within‘.
Originally filmed as the historic second pilot to Star Trek, ‘Where No Man Has Gone Before‘ is yet another story of humans acquiring god-like abilities. The episode re-used much of the production design from the original pilot of ‘The Cage’ including sets, costumes and props. DeForrest Kelly and Nichelle Nichols had not yet been cast as Dr. McCoy and Lt. Uhura and the show didn’t have its familiar opening narration, the last line of which comes from the title of this episode. Roddenberry pitched several scripts to NBC as the second pilot including ‘The Omega Glory’ and ‘Mudd’s Women’. In the end it was ‘Where No Man Has Gone Before’ that caught the studio’s eye, probably due in-part to the knock-down fist fight between Kirk and Mitchell Gene specifically wrote to help sell the show as his “Wagon Train to the stars“.
Our perfect shot features Gary Lockwood as Lt. Cmdr. Gary Mitchell and Sally Kellerman as Dr. Elizabeth Dehner staring at their eerie reflections as they realize they’ve evolved beyond normal humans. The other-worldly effect of the glowing eyes was achieved by sandwiching wrinkled tinfoil between two scleral contact lenses which covered the entire eye of the actors. Lockwood quickly discovered how extremely uncomfortable the lenses were and found he could only see if he tilted his head back, allowing him to peer out the tiny eye slits in the foil. To his credit, the actor used this to enhance his performance and gave Mitchell an increasingly arrogant gaze as his mutation eventually overtook him. For a time, fans speculated that Mitchell’s character might be the villain in the second J.J. Abrams’ Star Trek feature film Star Trek Into Darkness, but we all know who that turned out to be instead.
Next on the slate, then Enterprise crew gets freaky-deaky in ‘The Naked Time‘.
Poor Charles Evans. Stranded on a planet of inter-dimensional aliens since the age of 3, Charlie had no one to teach him the finer social graces. The result is a self-centered teenager with the ability to bend the entire world to his will, kinda like Justin Bieber on psychic steroids. ‘Charlie X’ isn’t one of my favorite episodes of classic Star Trek, but I was surprised how difficult it was to select the one perfect shot. By this time in its production, Star Trek’s visual style had started to be defined. Blocking, lighting and pacing were starting to come together and the result makes ‘Charlie X’ more visually cohesive as a result.
I chose this single shot for a number of reasons, not the least of which is the gorgeous background that frames Charlie’s face, but also because it perfectly illustrates what the episode is all about. The lone teenager, flush with power and hormones, desperate for acceptance, daring Kirk to push him. Charlie gives off a creepy vibe throughout the story and this shot visualizes it to a tee.
Next time we go ‘Where No Man Has Gone Before‘.
This episode of classic Star Trek always creeped me out as a kid, and with good reason. An alien creature who can assume the appearance of anyone, roaming the halls of the Enterprise in search of its next victim. The original series’ ‘The Man Trap’ oozes with mystery and horror and saves the best bit until the very end when the Nancy Crater, otherwise known as the Salt Vampire, reveals herself to the crew and the audience. Our perfect shot takes place just prior to that bizarre ending as Nancy has tossed Spock aside like a rag doll and has Captain Kirk firmly in her hypnotic gaze.
I always found it a bit of a stretch that Professor Crater could survive for almost two years alone on M-113 with Nancy and not get the salt sucked right out of him. Given how many crew members end up dead, you’d think her appetite was almost insatiable. Then again I guess it’s kinda like fasting for weeks, once you’re surrounded by food after having gone so long with so little, you kinda want to put your big pants on and sail right on into salt-town.
Next up is one of my least-favorite Star Trek episodes – ‘Charlie X‘. This should be interesting. :-/