Tag: space

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The Cosmic Voyage Begins

I first wrote about the upcoming reboot of Carl Sagan’s landmark PBS series, Cosmos, back in July of 2013. To say I’ve been waiting patiently is an understatement. The new series is set to air this Sunday night, March 9th at 9pm and is hosted by noted astronomer Neil DeGrasse Tyson. The trailers we’ve seen over the last few months look impressive and both Fox and the show’s producers have been in full PR mode on Twitter and social media promoting the series premiere.

When the series first aired back in 1980 I was enthralled by its scope and soaked up every bit of spacey goodness in the 13 part series. Like the original, the new Cosmos series promises to take us both to the far reaches of the universe as well as examine the human condition right here on Earth. We’ll examine how life on our planet started, where we’re headed and beyond. As I’ve learned about this new series I’ve gained a new respect for producer, Seth McFarlane who was also a huge fan of the original series and wanted to help bring its message of discovery to a whole new generation. The fact that he and Ann Druyan, Sagan’s widow, were able to convince Fox to broadcast Cosmos during prime time is nothing less than a minor miracle. I sincerely hope fans everywhere tune and and prove to Fox their faith in an educational series in the meat of their line-up was not misplaced.

Tyson and McFarlane have said that the series contains a bounty of new information about our universe so this won’t simply be a re-telling of Carl’s original journey. The series will draw inspiration from his teachings but the state of human knowledge has advanced considerably in the last 30 years so there should be plenty of new ground to explore. I also hope that the show’s creators take their time and explain complex concepts in ways that average people can understand. One of the best parts of the original Cosmos were segments when Sagan would simply sit and tell a historic story or explain the origins of complex theories like evolution or the formulation of the Drake Equation. I’m really hoping the new Cosmos isn’t edited like a music video, going from cut to cut trying to keep kids from losing interest in the face of all that science.

As a fan I’m glad our wait is finally over and the journey is about to begin. Tyson and company have some huge shoes to fill but something tells me they’ll do just fine. If you’re a fan of science, NASA, the human condition or you are looking for a great way to spend some time with your kids, tune into Cosmos: A Spacetime Odyssey this Sunday night on Fox. Then be sure to leave a comment here and let me know how you liked it.

UPDATE: You can now buy the soundtrack to Cosmos: A Spacetime Odyssey by Alan Silvestri on iTunes. Cool!

My God, It’s Full of Stitches!


What do you get when you combine subjects like science and crafting? If you’re tumblr user pardalote, then you turn your considerable embroidery talents towards the heavens and the results speak for themselves. The level of detail contained in this amazing chain stitched version of the planet Jupiter was recently featured in MAKE craft zine and it’s easy to see why. The creator used images from NASA as a reference to capture the subtle colors and swirls of the gas giant in way that reminds me of van Gogh’s Starry Night. Even though the work is not for sale it’s safe to say any space geek would be proud to display this in their home. Check it out. Wonderful!

One Small Step…

Aldrin took this picture of Armstrong in the cabin after the Apollo 11 EVA

Sad news today that the first man ever to set foot on the surface of the moon, Neil Armstrong, has died at the age of 82. Armstrong recently underwent surgery to relieve blocked coronary arteries but died today as a result of complications. Ever since I was a boy and first learned of he and Edwin “Buzz” Aldrin’s voyage to the moon, I’ve been fascinated with all things NASA. Both his name and the famous words he spoke as he stepped off the lunar module will forever be taught to children around the world. Indeed, the name of Neil Armstrong is surely one of the most recognized in human history along with other men of discovery such as Sir Francis Drake, Christopher Columbus and Charles Lindbergh.

The historic irony is that for the last 20 years of his life, he did his best to stay out of the lime light. He refused to sign autographs after 1994 and in 2005 became embroiled in a legal battle with his barber after Armstrong discovered the man sold a lock of his hair to a collector for $3,000 without Neil’s knowledge. Many have sought to use his name, and likeness for their own personal agendas but in the end Neil remained a man of dignity and quiet restraint. I can’t imagine what it what was like for him to become one of the most famous men in history overnight, but I’m sure the pressures to live up to other people’s expectations were intense.

It is also ironic in that Armstrong might not have been first to set foot on the moon if it were not for a series of random factors that resulted in he and Aldrin’s mission being selected to actually land. There’s a wonderful scene in Tom Hanks and Ron Howard’s epic mini series, From the Earth to the Moon, where Deke Slaton gathers all of the astronauts to let them know that one of them will be the man to actually be first. Although he did not know it at the time, Neil Armstrong was to be that man. The sense of history and significance that this realization represents is incredible and if you’ve never seen the mini series before, now would be the perfect time to check it out.

Today Armstrong passes from the realm of the living into those remembered, but even as he does so, it is certain his name and deeds will never be forgotten. I hope we one day set foot in the Sea of Tranquility again or perhaps upon the plains of Olympus Mons and remember all the small steps taken by men like Armstrong. Isaac Newton famously said “If I can see further than anyone else, it is only because I am standing on the shoulders of giants”. Armstrong was one such giant. Farewell Neil, we’ll miss you.

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Missing Soundtracks: From the Earth to the Moon

When the award winning mini-series From the Earth to the Moon premiered on HBO in 1998, producers Tom Hanks and Ron Howard were flying high off the recent success of Apollo 13. Not content with simply telling the story of Jim Lovell, John “Jack” Swigert and Fred W. Haise’s near tragic NASA mission, Hanks, Howard and Brian Grazer set about filling in the missing NASA narrative of the agency’s monumental effort to put a man on the moon. The result was a spectacular 12-part series that landed an Emmy Award and Golden Globe for Best TV Mini Series. The show is hailed for its honest account of the Apollo program, ground breaking special effects and soaring musical score by composers Michael Kamen and Mason Daring.

When I first saw From the Earth to the Moon I instantly fell in love with the soundtrack. The opening and closing themes by the late Michael Kamen are full of hope and epic discovery. Individual episodes are chocked full of wonderful 50 & 60’s tunes, especially ep. 4 – 1968 and my personal favorite ep. 5 – Spider about the design and production of the Lunar Module. Kamen was a talented composer and has penned some of the most well-known television and movie themes of recent years including Band of Brothers, Mr. Holland’s Opus and Brazil. Mason Daring’s contributions to From the Earth to the Moon are not as grand in scope as the main themes, but his work on Spider is just wonderful and always makes me mindful of the people who dedicated their lives to building the Apollo spacecraft.

Unfortunately, HBO never released an official soundtrack to the series when it aired, at least not one that contained orchestral themes. There was a half-baked attempt at a soundtrack later, but it consists of mainly pop numbers, many of which never even appeared in the series. I’ve re-watched my copy of From the Earth to the Moon at least a dozen times and each time I did, it made me sad I didn’t have the music from the series at hand. Recently I decided to do something about it by scouring the internet and iTunes to construct my own personal soundtrack. All of the music I’ve chosen is significant to the show in one way or another. I’ve linked to the tracks that are available for purchase on iTunes so you can go buy them yourself if you wish. The rest are downloadable for your personal use. Enjoy them, but I ask you to please not redistribute them on file sharing services.

The Missing Soundtrack:

1 – From the Earth to the Moon – Main Theme – Michael Kamen
2 – Beyond the Sea – Bobby Darin (iTunes)
3 – It’s Not My Cross to Bear – The Allman Brothers Band (iTunes)
4 – Whipping Post- The Allman Brothers Band (iTunes)
5 – The Christmas Song – Nat “King” Cole (iTunes)
6 – My Favorite Things – Tony Bennett (iTunes)
7 – Fireball XL-5
8 – Let’s Go – The Routers (iTunes)
9 – Spider / Eagle – Mason Daring
10 – Camera Moon – Mason Daring
11 – From the Earth to the Moon – End Credits – Michael Kamen

If you’ve not seen From the Earth to the Moon and love space exploration, history or anything NASA related, I urge you to check it out. Unfortunately the television series is not currently available either on iTunes or Netflix, but signature edition DVD’s are available on Amazon and are well worth the price. Trust me, you’ll enjoy every minute of this epic space adventure. Go, flight!

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Discovering Babylon 5

SPOILER WARNING: This post contains mild spoilers for the first season of Babylon 5. If you’ve not watched the series yet, and intend to do so some day, you might want to skip this post.

When Babylon 5 originally premiered in January of 1994, I was buried in massive amounts of grad work and didn’t have time to follow the newly announced series on the air. Being the huge, protective Star Trek fan I was, I also considered Babylon 5 to be somewhat of an “also ran” at the time. Now, thanks to my Netflix enabled Apple TV, I decided to see what I was missing and dive head first into the landmark sci-fi TV series. I’ve been pleasantly surprised by what I’ve found.

I will say I’m still green when it comes to Babylon 5. I’m getting ready to wrap up watching the first season so please don’t post spoilers in the comments section. What I’ve discovered so far is a science fiction series which was crafted with love by its creator, J. Michael Straczynski. Although the production levels would be considered low budget by today’s standards, the writing of the characters and the drama is top notch. Like any fledgeling series, Babylon 5 took more than a few episodes to find its space legs. The first episode I really enjoyed was ‘Born to the Purple‘ featuring the Centauri diplomat Londo as played by the talented Peter Jurasik. One aspect that makes the show so appealing is the dialog between characters. Interactions often seem more “real” than they ever did on Star Trek: The Next Generation and there’s a intentional lack of the so-called “technobabble” that often served as a dramatic crutch on Star Trek.

Indeed, in interview after interview, J. Michael Straczynski stated he wanted to do things differently than Roddenberry and Berman did on Trek. Externally, the premise of the show may seem very Trek-like, but scratch more than the surface and the similarities end. Babylon 5 centers around an immense space station build by the Earth Defense Force to serve as a sort of deep-space United Nations to keep the peace between the major races of the galaxy. The story follows the crew and inhabitants of the station as they jockey for position in their day-to-day dealings with each other and the cosmos. The series is unique because it was planned as a single, massive five-year story arc that had a definite beginning, middle and end.

I’ve enjoyed the way Babylon 5 treats certain topics, among them religion. While religion played an important part of Star Trek: Deep Space Nine, there it served as the center of faith for the Bajoran race, not of humans. Gene Roddenberry had specifically said that by Star Trek’s time, mankind had “grown out” belief in God. In Babylon 5, characters embrace religion, and in an ironic nod to Gene’s vision, even celebrate its infinite diversity on the planet Earth. One of the first season’s best episodes, “TKO” finds the station’s second in command, Susan Ivanova, dealing with the death of her father and embracing her Jewish heritage. The scenes with Ivanova holding shiva for her papa are touching and bring a sense of humanity to the technologically complex, and sometimes cold universe of Babylon 5.

Other parts of the show I’m enjoying often involve details. A scene between Commander Sinclair and Security Chief Garibaldi, part of which is held in a public men’s room. It’s refreshing because something like this NEVER happened on Star Trek. While I couldn’t possibly imagine Worf and Riker discussing the day’s events while standing at a urinal, it seemed like a perfectly normal scene on Babylon 5. Another funny exchange comes in the form of a funny practical joke Garibaldi and Sinclair play on Ivanova over breakfast one morning. Moments like this are rare in the often overly dramatic universes shows like Babylon 5 inhabit, which is why they’re so welcome by fans like myself.

Perhaps the best part of discovering Babylon 5 is knowing that I’m just at the outset of the series. Over the years, I’ve heard many good things about the show and how it became “must see TV” for an entire generation of scifi fans. I’m gratified to finally have a chance to witness the friendly jibes between Londo and G’kar, to slowly discover the mysteries of the Vorlons and to learn more about the ruthless and enigmatic Psi Corps. Watching the show for the first time is like discovering an entire universe of rich fables all waiting to be unwrapped. For a geek like myself, its a guilty pleasure and one that I highly recommend. Some time ago I wrote a post highlighting my top 10 favorite science fiction shows ever. At the time I had not seen Babylon 5, and so I had no reason to include it on my list. If the series continues to improve as so many on Twitter have told me it does, I may just have to go back and make amends.

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The Music of Ramp Champ

For designers and artists, the chance to collaborate with others who share your passion for creation is a wonderful event. Ideas feed off of each other and lead to new connections which can both surprise and delight. Such was the case while scoring Ramp Champ, the Iconfactory’s & DS Media Labs’ ode to the classic games of Skee-Ball and pinball for the iPhone. I’m pleased to report the game’s soundtrack was recently released on iTunes, something none of us at the factory could have dreamt of happening.

When we originally designed the game’s ramps, we knew we wanted the quality of the music to match the fidelity of the visual elements. Having a generic track repeat itself across multiple ramps, from outer space to under water, wasn’t going to be fun for the player. During the initial production phase of Ramp Champ, composer Noe Ruiz took the lead and created many of the tracks for the default levels such as Clown Town, Breakwater Bay and Space Swarm. Noe has a wonderful ear for rhythm and was able to incorporate these into the widely varied themes with ease. Of all the tracks he originally produced for Ramp Champ, Space Swarm (along with it’s dance and techno re-mixes) has to be my favorite of the bunch. Space Swarm is filled with old-school retro arcade sound effects that play perfectly into the look and feel of the ramp, helping to evoke the feel of a classic 80’s arcade game.

Atomicon’s David Weiner took up where Noe left off and came on board to help us produce the music for two of the game’s add-on packs. The Challenge Pack featured Molar Madness and Happy Place, both of which required a decidedly twisted approach when it came to the score. David’s work on Molar Madness is nothing short of brilliant. The samba-like piece he created for the ramp is both catchy and just the sort of thing you’d hear coming from the speakers of a dentist’s waiting room. Molar Madness is, without a doubt, one of my favorite pieces in all of Ramp Champ. Happy Place somehow managed to take the absurd notion of dolphins and unicorns floating in the sky and give them life. The track is zippy and light, but has decidedly dark undertones that foreshadows ominous events the player encounters within the level.

When it came time to write the music for our special Halloween add-on pack, David once again stepped up and gave us two wonderfully spooky tracks. When I approached him about Trick or Treat, I knew I wanted music that sounded both eerie as well as innocent. The ramp features children as they roam a neighborhood for candy on Halloween night. As we talked through our ideas, one of our inspirations was Vince Guaraldi’s classic Great Pumpkin Waltz from “It’s the Great Pumpkin Charlie Brown”. David’s final piece has this jazzy feel as well as elements that remind me of the creepy TV cult hit Twin Peaks, which worked out wonderfully. The other piece in the Halloween Pack, Grave Danger, draws obvious inspiration from Disney’s classic Haunted Mansion with all kinds of over the top scary sound effects like thunder, ghosts and werewolves.

For our 3rd release, David Weiner was already busy scoring the Challenge Pack as well as our other iPhone title, Pickin’ Time, and so we turned to composer Mike Weiser. Mike has created music for many iPhone games including Stick Wars and Tower Land and I was fortunate to be able to work with him on Plunderin’ Pirates and Star Struck. Mike’s score for Plunderin’ Pirates, inspired by Disney’s famous Pirates of the Caribbean ride, is one of the funnest pieces in the game and does a great job of evoking the high seas thanks to the use of instruments like the accordion and steel drums. The sound effects I produced for the ramp added to the overall feel and makes for what many players have called their favorite level in the game.

On Star Struck, both Mike and I decided to create something that reminded the player of space exploration, like you’d hear sitting in a planetarium. The “computerish” tones that come in at the start and end of the track were originally an ode from one of my favorite films ever, The Hitchhiker’s Guide to the Galaxy, although Mike masterfully made them his own in Star Struck. The album version of Star Struck that appears on the soundtrack is a specially composed version of the game’s track and is my favorite piece in all of Ramp Champ. You’ll be able to catch more of Mike’s work in the Iconfactory’s next software title, coming to the iPhone in the second quarter of 2010.

Collaborating with Noe, David and Mike on the music for Ramp Champ was, without a doubt, one of the most rewarding things I’ve done during my time at the Iconfactory. The talent these guys posses to take one’s creations and run with them musically is nothing short of astounding. Their work made our efforts that much better and for that, we are all grateful. With Atomicon’s help, we’re proud to finally be able to bring you the complete original soundtrack. I really encourage you to check it out and hopefully you’ll enjoy listening to it as much as we had bringing it to you.