Taking Stock of Your Online Subscriptions

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With the impending launch of Apple Music this week, it dawned on me that I don’t exactly know just how much I’m spending on digital subscription services. Back in the day I had physical newspapers & magazines show up on my doorstep every month so it was relatively easy to keep track of what I had subscribed to. Those bound, blocks of paper acted as reminders of what I was and wasn’t reading. Subscriptions these days can be tricky things; sign up for a Patreon here, add a new online media service there and pretty soon you’ve lost track of just how much you’re shelling out for the convenience of online content.

The new Apple Music service will cost $9.99 a month / $119.88 yearly but I already subscribe to iTunes Match which costs just $24.99 a year. Do I really need both? There are additional benefits that Apple Music offers that go beyond iTunes Match of course, but is it worth it strictly from a cost basis?

Before I can answer that question I really need to know just how much I’m spending month to month on all these things, so I went through and tried to catalog all of my digital subscriptions. Here’s what I found.

• MLB TV $129.99 yearly
• Netflix $8.53 mo / $102.36 yearly
• America’s Test Kitchen Multi-site Membership / $69.96 yearly
• iTunes Match $24.99 yearly
• Patreon $8.00 mo / $96 yearly
• iCloud 20GB Plan .99¢ mo / $11.88 yearly
• Angie’s List Basic $7.99 yearly

So in total, I’m currently paying $347.17 annually in online subscriptions which breaks down to roughly $29 per month. Overall that’s better than I expected, but then again these are only the subscriptions I could track down or remember I was paying. There are probably a few others I haven’t accounted for yet. I wonder if the amount of content I’ve subscribed to is below or above average for today’s consumer?

Are there subscriptions I could cancel to help get the new Apple Music service into my budget? I’m definitely considering ending my America’s Test Kitchen subscription for instance. The two Patreons I subscribe to (Kurzgesagt & Apple World Today) may not be necessary, but they bring me awesome content every month that I enjoy and wish to support. There’s no way I would ever ditch Netflix, it’s one of the best content providers I’ve ever had.

In the end, switching out my iTunes Match subscription for a year of Apple Music would bring my monthly total up to around $37 or $442.06 annually. That’s an increase of roughly 27% of what I’m currently forking over which seems like a lot at first glance. Will Apple Music be worth it? As I don’t currently subscribe to any streaming music services like Spotify or Beats, it’s pretty much impossible to say, at least for now. The good news is Apple is offering that infamous 3-month free trial when it launches on Tuesday so I’m pretty sure I’ll be taking advantage of that to evaluate the service.

If you’re cost conscious or on a budget and have not taken stock of your online subscriptions recently, now might be a good time to do so. Knowing just how much you’re spending each month can really be an eye-opener that will help you make informed for future subscriptions. At the very least, this exercise has taught me to categorize all of my online subscriptions similarly in Mint so I can easily review what I’ve subscribed to. Lastly, the folks over at iMore have also put together a fantastic guide to Apple Music that answers every question you could possibly have. Hopefully this all helps you as much as it helped me!

TV I’m Enjoying Right Now

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MINOR SPOILER WARNING: I don’t talk about specific plot points for these TV shows in this post, but I do outline them in general. As with all of my posts about TV & movies, if you’d rather not be spoiled about ANYTHING, you probably shouldn’t read on.

It’s not a stretch to say the US television landscape is currently experiencing a golden age. Everywhere you look there are quality TV shows to be enjoyed. As television and those who create it have branched out beyond the major networks to cable, Netflix, Hulu and Amazon, competition for viewers has increased dramatically. If the current state of television is any indication, the best way to attract those millions of viewers is with high-quality series that can be consumed any time and anywhere.

There’s so much good TV in fact, that it’s pretty much impossible to watch it all so I thought I might share just four of the great shows I’ve been enjoying lately, why I love them and where you can catch them.

Arrow

I had heard so much about the CW’s show Arrow, based on the superhero from DC Comics, that I finally just had to check it out. The series follows spoiled billionaire playboy Oliver Queen who, at the start of the show, is missing and presumed dead when his yacht is lost at sea. He returns to his home in Starling City five years later a changed man, determined to clean up Starling as a green-hooded vigilante armed with a bow.

Arrow follows in the footsteps of prior super hero efforts like The WB’s Smallville and although it takes about 10-12 episodes to really find its footing, once it does, it really gets going. By the end of season 1, Arrow is a solid mix of action, gritty drama, geeky comic book fun and more. Stephen Amell plays the lead, Oliver Queen, and thankfully his acting chops have improved considerably since the start of the series. Ollie goes from a spoiled brat who has little emotional range to a complex character we care deeply about.

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Arrow also has a great ensemble cast including stand outs David Ramsey as John Diggle and Emily Bett Rickards as Ollie’s geeky, computer expert Felicity Smoak. The writers really start to ratchet up the story arc and drama near the end of S2 which culminates in some seriously great TV. Arrow also sets up the backstory for crossovers with another CW property I’ve started watching – The Flash. The two shows take place in the same universe so I’m looking forward to seeing how these two heroes interact in Flash S1 and Arrow S3.

Arrow is a great deal of fun and seems to be building its own personal mythos. As someone who’s knowledge of the DC character Green Arrow came solely from cartoon episodes of the Super Friends, it’s been wonderful learning about Oliver’s origins, his personal mission and his relationships with his friends in Starling City. Arrow also features other costumed heroes and villains I’ve often heard about but never seen on screen until now. The first two seasons of Arrow are both on Netflix streaming, the third season is currently airing on the CW but is also available for purchase on iTunes and Amazon.

M*A*S*H

For many of you reading this, M*A*S*H is most likely before your time. The show followed a company of army doctors and nurses as they work only a few miles from the Korean War front to save wounded soldiers. Based largely on stories and accounts from actual MASH doctors, the series premiered on CBS on September 17, 1972, and ended 11 seasons later in February of 1983. It was one of the highest-rated television shows ever and its final episode “Goodbye, Farewell and Amen” is still the most-watched episode of television in history with a record-breaking 106 million viewers.

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As soon as I heard Netflix streaming picked up the first 5 seasons of M*A*S*H, I instantly added it to my queue. I remember growing up on the show and loved watching the antics of surgeon Hawkeye, played by Alan Alda, BJ, Radar, Potter and the rest of the cast week after week.

If you’re new to M*A*S*H, the first 3 seasons are pretty slapstick and based more on the comedic formula of the 1970 feature film than what would follow. Several of the main characters decided to leave after season 3 including McClean Stevenson as Col. Henry Blake and Wayne Rogers as Trapper John. When they left, the writers (and the actors) who replaced them made a conscious decision to set the new characters apart from the old and the show started taking on more dramatic depth.

Re-watching a classic series like M*A*S*H on Netflix is great because you eventually come upon episodes you’ve never seen before in syndication. Finding them is like unearthing gold, dramatic and comedic nuggets to savor and treasure. I already count watching at least 4 episodes of M*A*S*H I’ve never seen which is remarkable since I was sure I had already seen them all.

A situation comedy like M*A*S*H pre-dates the long-story filled arcs that are common among today’s popular shows, but it more than makes up for it in heart and touching character interactions. I always enjoyed seeing how these brave group of men and women clown, scrounge and save lives in the midst of war. There are great episodes in M*A*S*H that will make you howl with laughter as well as cry like a baby. The key is giving the audience the kinds of characters we care about and can relate to. When the show ended, none of us (myself included) wanted to see them go. Re-watching the series now, it’s very clear why.

House of Cards

For some TV goers, House of Cards may be an acquired taste. The award-winning series from Netflix returns for season 3 on February 27th and fans of the show have been anticipating it’s arrival like an overdue subway train. I got hooked on House of Cards after only a few episodes, largely due to the fantastic performances of the two leads, Kevin Spacey and Robin Wright as Frank and Clarie Underwood.

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The show features the dark side of Washington politics and the lengths some will go to to seize and hold power. It’s a tight, well-written dramatic series that features some impressive twists and turns and enough political intrigue to keep fans consistently on the edge of their seat week after week.

Unlike Arrow or M*A*S*H, the entire House of Cards run is available for streaming, but only from Netflix. Indeed, House of Cards (and other Netflix series like Orange is the New Black) helped bring the term “binge-watching” into today’s lexicon. Thanks to how the internet is changing the way we watch TV, viewers can now experience the entire 10 ep season of House of Cards in a single sitting. Personally, I like to savor my television, so I usually skip a few days in-between episodes, but your milage may vary.

If you enjoy tense, political maneuvering, well-crafted, realistic characters or just plain good storytelling, House of Cards may be for you. Those who love the show, love it dearly and with good reason. Spacey, Wright and the entire cast is top-notch, the writing is clever and production values (especially the music) are as good or better than any show on network or cable TV. The cliffhangers from S2 have paved the way for what’s yet to come and I can’t wait until Frank finally gets back to breaking the 4th wall once again.

Archer

Yes, Archer is a cartoon, and yes, that sometimes means it can be childish and silly but for my money it’s also one of the funniest shows on television. Archer is the brainchild of its creator, Adam Reed, developed for the FX network and follows the exploits of Sterling Archer, master spy and anti-hero. The series premiered in 2009 and features adult humor and dark, sometimes vulgar comedy but that’s really part of what makes Archer so great.

Archer and his co-workers at the organization formerly known as Isis, are a rag-tag bunch of misfits who tout themselves as being skilled in covert surveillance. In reality, the team often causes more harm than they prevent, going from one international incident to the next, toppling governments, trying to overthrow drug lords and even protecting the Pope from assassination attempts.

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Archer is at his best when he’s facing off against any number of arch-villian spies the series has introduced over it’s 5-season run on FX. I especially love Sterling’s bionic rival, Barry Dylan, who has made Archer’s life a living hell on more than one occasion. Barry showed up again this season, as did a number of other recurring characters which has helped to make season 5 more memorable than the previous “Archer Vice” season 4.

The series features the amazing voice talents of H. Jon Benjamin as Archer, Aisha Tyler as Lana and former SNL cast member Chris Parnell who puts in a hilarious performance as accountant Cyril Figgis. The cast makes an annual appearance at Comicon and often does live episode readings, dishes on their fellow cast members and answer fan questions. I also love the visual style of Archer including the “sets” and the design of the characters themselves, many of whom are patterned on their real-life counterparts.

If you like off-beat comedy combined with a touch of adult humor and fantasy thrown in for good measure, you’ll want to check out Archer on FX. One of the best parts of an animated series is that the characters and show format generally don’t change. When it comes to Sterling and company, that’s just fine with me, they’re hilarious just the way they are.

Honorable Mentions

Other shows I’m currently enjoying or looking forward to returning include Marvel’s Agent Carter & Agents of S.H.I.E.L.D., Game of Thrones, The Walking Dead, The Flash, Big Giant Swords on the Discovery Channel (yes, and it’s awesome!), Face Off, Better Call Saul and WWII in HD on Netflix.

Everywhere you turn there’s just too much good TV to absorb it all. I hope this quick rundown helps give a glimpse into the kinds of TV I love to watch. Maybe there’s something here that appeals to you as well, enjoy!

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Discovering Babylon 5

SPOILER WARNING: This post contains mild spoilers for the first season of Babylon 5. If you’ve not watched the series yet, and intend to do so some day, you might want to skip this post.

When Babylon 5 originally premiered in January of 1994, I was buried in massive amounts of grad work and didn’t have time to follow the newly announced series on the air. Being the huge, protective Star Trek fan I was, I also considered Babylon 5 to be somewhat of an “also ran” at the time. Now, thanks to my Netflix enabled Apple TV, I decided to see what I was missing and dive head first into the landmark sci-fi TV series. I’ve been pleasantly surprised by what I’ve found.

I will say I’m still green when it comes to Babylon 5. I’m getting ready to wrap up watching the first season so please don’t post spoilers in the comments section. What I’ve discovered so far is a science fiction series which was crafted with love by its creator, J. Michael Straczynski. Although the production levels would be considered low budget by today’s standards, the writing of the characters and the drama is top notch. Like any fledgeling series, Babylon 5 took more than a few episodes to find its space legs. The first episode I really enjoyed was ‘Born to the Purple‘ featuring the Centauri diplomat Londo as played by the talented Peter Jurasik. One aspect that makes the show so appealing is the dialog between characters. Interactions often seem more “real” than they ever did on Star Trek: The Next Generation and there’s a intentional lack of the so-called “technobabble” that often served as a dramatic crutch on Star Trek.

Indeed, in interview after interview, J. Michael Straczynski stated he wanted to do things differently than Roddenberry and Berman did on Trek. Externally, the premise of the show may seem very Trek-like, but scratch more than the surface and the similarities end. Babylon 5 centers around an immense space station build by the Earth Defense Force to serve as a sort of deep-space United Nations to keep the peace between the major races of the galaxy. The story follows the crew and inhabitants of the station as they jockey for position in their day-to-day dealings with each other and the cosmos. The series is unique because it was planned as a single, massive five-year story arc that had a definite beginning, middle and end.

I’ve enjoyed the way Babylon 5 treats certain topics, among them religion. While religion played an important part of Star Trek: Deep Space Nine, there it served as the center of faith for the Bajoran race, not of humans. Gene Roddenberry had specifically said that by Star Trek’s time, mankind had “grown out” belief in God. In Babylon 5, characters embrace religion, and in an ironic nod to Gene’s vision, even celebrate its infinite diversity on the planet Earth. One of the first season’s best episodes, “TKO” finds the station’s second in command, Susan Ivanova, dealing with the death of her father and embracing her Jewish heritage. The scenes with Ivanova holding shiva for her papa are touching and bring a sense of humanity to the technologically complex, and sometimes cold universe of Babylon 5.

Other parts of the show I’m enjoying often involve details. A scene between Commander Sinclair and Security Chief Garibaldi, part of which is held in a public men’s room. It’s refreshing because something like this NEVER happened on Star Trek. While I couldn’t possibly imagine Worf and Riker discussing the day’s events while standing at a urinal, it seemed like a perfectly normal scene on Babylon 5. Another funny exchange comes in the form of a funny practical joke Garibaldi and Sinclair play on Ivanova over breakfast one morning. Moments like this are rare in the often overly dramatic universes shows like Babylon 5 inhabit, which is why they’re so welcome by fans like myself.

Perhaps the best part of discovering Babylon 5 is knowing that I’m just at the outset of the series. Over the years, I’ve heard many good things about the show and how it became “must see TV” for an entire generation of scifi fans. I’m gratified to finally have a chance to witness the friendly jibes between Londo and G’kar, to slowly discover the mysteries of the Vorlons and to learn more about the ruthless and enigmatic Psi Corps. Watching the show for the first time is like discovering an entire universe of rich fables all waiting to be unwrapped. For a geek like myself, its a guilty pleasure and one that I highly recommend. Some time ago I wrote a post highlighting my top 10 favorite science fiction shows ever. At the time I had not seen Babylon 5, and so I had no reason to include it on my list. If the series continues to improve as so many on Twitter have told me it does, I may just have to go back and make amends.

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Time Warner Rate Hike Isn’t About Bandwidth. It’s About Control.

When my friend and co-worker, Louie Mantia, moved to Greensboro, NC in November of 2008, one of his first orders of business was to sign up for Roadrunner high speed internet with Time Warner. A few days later Louie had everything he needed. He could surf to his favorite websites, perform online banking, watch videos, rent movies online, download software updates and even work from home.

What Louie didn’t need however, was cable TV service.

Thanks to the recent rise in entertainment websites like Hulu, online movie rental services like iTunes, Netflix & Amazon and easy to use desktop software like Boxee, many computer users are deciding to forgo traditional TV. This small, but certain fact lies at the root of why Time Warner Cable recently announced it was adding Greensboro to a set of test-bed cities for a planned bandwidth cap and rate hike. Time Warner knows the sand is shifting beneath their feet and they are willing to do anything, including angering entire cities, to help stem the tide.

Local blogger Roch Smith has been out in front of this issue as has the Greensboro News & Record’s own Joe Killian. Both have outlined the potential problems as well as the frustration for typical computer users and word is starting to spread. Unfortunately, my attempts to get local talk radio personalties Brad & Britt to discuss the subject on air met with predictable, if disappointing results.

Bascially, Time Warner’s proposed bandwidth caps of 5, 10, 20 and 40GB per month are preposterous. To help put it in perspective, 5GB of bandwidth a month (the lowest plan) equals just 170Mb a day. Anyone who’s surfed to YouTube or listened to more than a few podcasts knows that 170Mb of bandwidth gets eaten up in the blink of an eye.

Time Warner’s highest proposed plan of 40GB doesn’t even come close to what modern internet goers use in an average month. Simply downloading 2 or 3 HD movies from iTunes will put you over this limit and into paying $1.00 for every additional GB. Over your limit and want to rent an HD movie from Netflix? That’ll cost you an extra $8.00 over and above the price of the movie itself. It’s nothing short of obscene.

Over at Ed Cone’s blog, noted Internet founder Vint Cerf puts forth the idea that bandwidth is constricted at the edges of the net, which could make it difficult for providers to keep up with demand. I’ve heard that this could be one reason companies such as Time Warner feel that rate hikes of 1000% (like the one Time Warner is proposing) are unavoidable. If this were true, digital movie downloads from Time Warner itself would also count against your total bandwidth usage, but they don’t. No, Time Warner’s move is an obvious ploy to keep control of what and how you watch. The cable that brings Time Warner On-Demand movies to your living room TV is the same cable that provides you with your favorite episode of Battlestar Galactica from iTunes. Since TW fears losing more and more television subscribers to free sites such as Hulu, they’ve decided split the difference and soak those of us who have changed our viewing habits from the TV to the computer.

I won’t stand for it, and neither should you.

If you think this cap and rate hike doesn’t effect you because you don’t live in Greensboro, Rochester NY or San Antonio TX, then think again. Once outrage dies down in these markets, Time Warner will begin to spread the same plans to other parts of the country. Other internet providers will adopt similar capping plans and your days of unlimited bandwidth will be numbered. To be clear: I do not support bandwidth caps of any kind. If you want to charge me extra for unlimited access, then do so to a reasonable degree. I don’t mind paying extra for premium services like unlimited bandwidth and faster speeds, but at the prices Time Warner is proposing, my next bill could be $400-800 and that simply is out of the question. That said, Time Warner’s own data proves the rates are just a smoke screen.

In the meantime, if you’re as upset about this as I am, then you should make your voice heard. Contact Time Warner and let them know you won’t stand for limits on your internet surfing. Contact Netflix, Amazon, Hulu, Apple and others and let them know that Time Warner’s proposed rate hikes are about to force you to drop them as paying customers. Then call, write and email your local representatives and have them stand up to corporate greed. Like many places around this country, Greensboro’s unemployment rate is sky high. People are hurting, and yet a large corporation like Time Warner thinks it can impose outlandish rate hikes on average internet users with impunity. Roch Smith promises to have a list of contacts of local reps soon. Keep an eye on his blog for more info.

Lastly, don’t settle for bandwidth caps. Petition for unlimited access. Internet usage is only increasing and caps make absolutely no sense. Do you want to be tied to a bandwidth monitor while you surf? Do you like to be told that you can’t download what you want, when you want it? If not, I suggest you get off your butt and get moving. There’s very little time left.

UPDATE: Roch has posted an excellent bit about who to contact in Greensboro about this matter and how to approach the topic with them. I urge you to head there, check it out and follow up asap.