Weird Al has a new album out this week and to celebrate he’s releasing a bunch of new videos, one a day for eight days. Today’s release, Word Crimes, is sheer brilliance. This educational ear worm gets added to my list of Weird Al songs that I actually like better than the originals. Other entries on that list include eBay, The Saga Begins and A Complicated Song. Word Crimes’ video features fun and fast-moving kinetic typography that I had to watch over and over to catch all the jokes. I bought Al’s album, Mandatory Fun earlier today on iTunes and it’s already one of my all-time Al favs. If you’re a Weird Al fan be sure to check it out!
To be fair to actor Tom Wilson, who played the infamous bully Biff from the Back to the Future films, I’d probably ask him all of these questions too. That’s why I’m so glad I discovered this gem of a clip where Tom puts all of the answers to song. The result is something that should somehow be worked into the next season of Big Bang Theory. Enjoy!
Hat tip to IO9 for this post
You know those really catchy commercials for FreeCreditReport.com that you like so much? Turns out the afore mentioned credit reports aren’t really free and the company that owns the site, Experian, is a douche bag. Although every American is entitled by law to at least one free copy of his/her credit report, the site charges users a monthly fee of $14.95 if they don’t cancel their initial request within 7 days. Major bummer pirate dudes!
Turns out that Experian has been sued for deceptive advertising practices every year since 2005 and each time the company has settled out of court for a handsome fee that keeps news headlines mum and TV goers forever whistling tunes about identity theft. I don’t know which is worse – yet another shameless corporation raping the consumer in times of economic hardship or the guilt I’ll feel whenever I start to sing the FreeCreditReport.com song for the bazillionth time.
Based on an idea I threw out on Twitter, I present you with a short list of my favorite “story songs”. These are the songs that, for me at least, drew me in and told a compelling story. So often we take for granted the effect good lyrics can have on a song’s success. This post is dedicated to those artists who go beyond repeating the same chorus over and over and instead give us memorable classics. After you’ve read my list, don’t forget to swing by the sites of all the bloggers who agreed to join me. Hopefully you’ll discover some tunes that just might become new favorites.
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Brandy (You’re a Fine Girl)
Released in 1972 by Looking Glass, Brandy tells the tale of a barmaid living in a port town. She serves “whiskey and wine” to the admiration of many sailors, one of whom she falls in love with. In tragic fashion, the sailor isn’t willing to give up his true love, the sea. Despite this, Brandy continues to love the man and wears a braided silver chain with a locket that bears his name. I’m not exactly sure what it is about this song that gets me, but it always conjures up images of Brandy on an ocean dock with the sun setting behind her. I can picture her in my head, clear as day, clinging to her necklace as she pines for her man somewhere on the sea. Brilliant stuff!
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What Am I Doin’ Hanging Round?
Far from one of The Monkees‘ big hits, What Am I Doin’ Hanging ‘Round? is really a simple song about a man who travels to Mexico and falls in love with a local woman. Although he longs to be with her, the whistle of the train calls to him and he decides to return home. This turns out to be a decision which haunts him and he ends the song by telling us he “wants to go back again”. Who among us can’t identify with the prospects of lost love that this song sings? Music like What Am I Doin’ taps into experiences that almost all of us share as listeners and gives them a special place in our hearts. I also love how Nesmith changes the meaning of the chorus in the beginning of the song to that of the end, even though the words are the same. Definitely one of their sleeper hits.
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Escape (The Piña Colada Song)
“If you like Piña Coladas, and getting caught in the rain…” is the chorus from one of the most famous story songs of all time – Escape by Rupert Holmes. The catchy earworm tells the tale of a man who has grown tired of his relationship with his lover and spies an ad in the local paper from a woman seeking a man. He decides to meet the woman at “a bar named O’Malley’s” only to ironically find that the woman is his own lover. The song thankfully concludes with the two discovering new things about each other and falling in love all over again.
Besides for having one of the most infectious melodies I can recall, the song also does a great job of telling the story of the two bored lovers. The twist at the end is the cherry on top (sorry) of one of the most iconic songs of the 70’s and 80’s. Holmes was forced to append the song’s name because people didn’t know its real title, Escape, and just kept calling it the “Piña Colada Song”. The tune has caused him a bit of grief over the years, and Holmes once even joked, “No matter what else I do, my tombstone will be a giant pineapple.”
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The mammoth 1978 hit from the Eagles from the record of the same name is my second favorite story song of all time. The song quickly reached critical and popular success thanks in part to the quirky tale told by the narrator as well as the dark under-themes from Don Henley and Glenn Frey. On the surface, Hotel California tells the tale of a weary traveler who decides to break from his long drive and check into a mysterious hotel deep in the desert. The hotel is marked by all manner of dark characters, strange acts and a mysterious woman who seems to seal the narrator’s fate. When the narrator attempts to leave, the night man informs him that “you can check out any time you like, but you can never leave.”
When it was first released, many people theorized that Hotel California was really an allegory for a mental hospital, with the guests playing the parts of inmates. The Eagles have said that the story is a metaphor for the self-destruction of the Southern California music industry of the late 1970s. Whatever the subtext, the song stands on its own as one of the best story songs ever written.
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Ode To Billy Joe
My favorite story song has to be Ode to Billy Joe by Bobby Gentry. I’ve been fascinated by this song as long as I can remember and it seems that I’m not the only one. When it was released in late July of 1967, it touched off a cultural sensation with its gothic tale of mystery and southern culture. The song begins with the narrator and her brother returning, after morning chores, to the family house for dinner. Over dinner she learns that “Billie Joe McAllister jumped off the Tallahatchie Bridge,” apparently to his death. The family doesn’t take notice of the narrator’s grave reaction and continues with dinner as if nothing is really wrong. Mama goes on to say Brother Taylor (the local preacher) visited earlier and he mentioned that he had seen Billie Joe and a girl who looked very much like the narrator herself, “throwin’ somethin’ off the Tallahatchie Bridge.”
From the moment it was released, fans everywhere tried to piece together the puzzle the song told. What did the boy and the girl throw off the bridge? Why did Billy Joe jump to his death? Many popular theories have been flown including a forbidden affair between the narrator (a white girl) and Billy Joe (a possibly black boy) throwing their still-born baby into the muddy waters. Gentry has never revealed the true reason for Billy Joe’s suicide, which only served to heighten the song’s mythos. Ode was reportedly one of Frank Sinatra’s all-time favorites, who even had jazz great Ella Fitzgerald sing a few verses for his TV special. So next time this song comes on the radio, listen closely and see if you can decipher the clues and solve the mystery of Ode to Billy Joe. And if you figure it out, be sure to let me know!
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Check out these other “Story Song” bloggers:
The Sound of Silence
They say confession is good for the soul, and since I’ve never had any problem with revealing my inner likes and dislikes, I jumped at the chance to join in on the fun of the latest group blog proposed by my friend Dave Caolo. This time around are songs that for one reason or another, you would be embarrassed to admit to liking in mixed company. I must say however that part of the reason I decided to throw my hat in the ring, was that it gave me the excuse to create the image you see above. What do Britney Spears and Bigfoot have in common? Well, read on my friends and find out!
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Merry Go Round
The Brady Bunch
I’m not ashamed to say that I have an entire iTunes playlist devoted exclusively to the perky tunes of those crazy Brady kids from my youth. Back in the 70’s the TV network suits figured the child actors of The Brady Bunch needed to compete with The Partridge Family and the Brady Six was born. Who among us can forget classics like Time to Change or Sunshine Day? Good times. Of all the Brady tracks I have however, Merry Go Round has to be the most sugar-coated piece of hippy jerky in the entire lot, and I love it! For some reason I can listen to Eve Plumb hit off-key notes until the cows come home and I just don’t care. Take a listen, but beware, the song is a total ear worm. Once I hear it, I usually can’t get it out of my head for days.
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You Drive Me Crazy
Ah Britney! Back in the day, this familiar teen-pop queen commanded respect and actually worked her ass off to become successful. One day I broke down and bought You Drive Me Crazy for no apparent reason other than it was stuck in my head. To me, all of Britney’s songs sound somewhat the same (beat, rhythm, breathy lyrics), so I only own one… and this is it. I’m kinda ashamed to even have the one track in iTunes, but every time it comes up on random play, I relive a little part of 1999 and think back fondly on what Britney used to be. Ah Britney!
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The Spice Girls
Everyone says they hate the Spice Girls, but I think secretly, everyone really loves them. I find the bulk of their songs incredibly infectious, bubbly and the perfect pick-me-up when I’m down. Their music is like watching a summer popcorn flick – a meaningless plot combined with a pulse-pounding soundtrack and dazzling special effects. It’s not academy award winning material, but it’s still a great time. I mean, how much more fun can it get than this:
“Yo, I’ll tell you what I want, what I really really want,
So tell me what you want, what you really really want,
I’ll tell you what I want, what I really really want,
So tell me what you want, what you really really want,
I wanna, I wanna, I wanna, I wanna, I wanna really
really really wanna zigazig ha.”
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If there is a more idealistic, or emotionally manipulative song in this world, I can’t think of one. I first heard America when I was 11, right around the time the classic Saturday morning cartoon School House Rock became popular. I think the SHR connection helps explain why I find this song so darned great. After all, it was SHR that taught me to love catchy songs about history like The Great American Melting Pot and The Preamble. Diamond’s America is like a top 40 School House Rock song on steroids. At least, that’s what I keep telling myself.
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Love Theme from Boggy Creek
Charles B. Pierce
Ask any of the guys at the Iconfactory and they’ll tell you I’m obsessed with bigfoot/sasquatch/yeti and have been ever since I was a child. This embarrassing music track is one of my own making since it was impossible to purchase the soundtrack to the movie from which it came – The Legend of Boggy Creek. The song tells the funky tale of the Fouke Monster (bigfoot) and his lonely plight among the other creatures of the swamp. The song, like the movie, is cheesy, low-budget and so bad it’s good. I bust it out every year around Halloween, much to the dismay of my patience-filled wife. And now you know what Britney Spears and Bigfoot have in common – my twisted sense of musical tastes.
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Other blogger’s musical confessions: