One Perfect Shot: Star Trek’s ‘The Cage’

My good friend Dave Caolo has started something neat over on his Tumblr blog. He’s posting a definitive single frame or “shot” from each of episode of the classic TV show, The Twilight Zone and I gotta admit, it’s pretty cool. So cool in fact that Dave has inspired me to do the same with one of my all-time favorite TV shows, Star Trek: The Original Series. I’ll try to post one shot a day (although I’m pretty sure that won’t really happen) until I get through the entire three seasons. What I promise I will try and do is pick the most iconic, gorgeous and definitive shots from each of the 79 episodes of Star Trek and give a brief description of why I picked them.

Why Star Trek? Simply put, the show changed my life. It captured my imagination as a boy and never let go. Each week I journeyed to strange new worlds and in the process I became life-long friends with Captain Kirk, Mr. Spock and Dr. McCoy. It inspired me to do well in school, be tolerant of people’s differences and dream big. So where do we begin? Why, at the beginning of course! Our first entry is from the Star Trek pilot “The Cage”. Considered “Too cerebral” by the network suits at NBC back in the day, “The Cage” didn’t originally air as the first episode of Trek, but was later re-cut into the first season, two-parter The Menagerie.

Our perfect shot is quintessential Star Trek, the sinister Talosian alien keeps a watchful eye over Captain Pike and the captured crash victim, Vina. I considered a shot of Vina herself as the iconic green Orion slave girl to represent ‘The Cage’ but the Talosian with his alien costume, throbbing cranium and classic Trek back-lighting won the honor. I can already tell it’s going to be difficult to pick a single frame to represent each episode of classic Star Trek, but at least it gives me an excuse to watch them all yet again in glorious HD. I hope you enjoy this series of posts, I think it’s going to be fun. Next up – ‘The Man Trap‘!

Most Fascinating

Most Star Trek fans like myself have seen and digested it all when it comes to Trek. This is especially true for the Original Series, so when David recently pointed me at the incredible birdofthegalaxy Flickr stream, I was a little flabbergasted. The collection has dozens of behind-the-scene photos from the set of Star Trek, and are are chock full of gems like the aging puppet head of Balok from ‘The Corbomite Maneuver’, designed by Wah Chang (seen right).

My favorite photos have to be those of the original Enterprise hero model. There are a number of great shots showing extreme angles, but the ones from Space Seed are my absolute favorite. So many of these images are new to me it was like discovering the show all over again. If you’re a fan of Star Trek, do yourself a huge favor and set aside time to treat yourself to these amazing images of the stars, props, wardrobe and sets of Star Trek: The Original Series.

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All I ask is a tall ship…

Thanks to the generosity of a friend, I’ve been lucky enough to beta test the new MMO, Star Trek Online from Cryptic Studios. The game is set to launch in early February and at least for this Star Trek fan, it’s a winner. Playing around in Gene Roddenberry’s universe has given me a new appreciation for the art direction of designers such as Matt Jeffries and Michael Okuda. Designing anything is challenging, but designing interiors, user interfaces and uniforms of things that have yet to be must be especially difficult.

Most beloved of all the designs of Star Trek is perhaps the bridge of the Starship Enterprise itself. The bridge is the command center of the ship and is often the focus of action on both the big and small screens. Jeffries’ original utilitarian layout eventually gave way to more modern looking interiors, but the basic design (center command chair, flanking support positions) has withstood the test of time. The bridge is such an integral part of Star Trek that due to popular demand, the developers of Star Trek Online recently announced they were implementing them for individual ships within the game. Virtual captains told Cryptic they wanted their “big chair” and the game designers responded in kind.

All of this got me thinking about which starship bridge I liked the best. The answer has to be that of the Enterprise-D from Star Trek: The Next Generation. To many Trek fans this bridge seemed more like a hotel lobby than a high-tech command center, but I always admired its sleek curves, high-tech surfaces and muted colors. The original TV design was modified slightly for Star Trek Generations (seen here) to accommodate new science/tactical stations, giving the set a more cinematic feel.

Designed by Andrew Probert, the bridge of the Enterprise-D was the ultimate set for the weekly TV series. The layout was big enough to allow the actors room to move around comfortably as well as give characters space for private conversations, tucked away from prying ears. The raised back level provided an elevated platform that made Worf look even more imposing while offering Geordi and Data stations where they could work out solutions to the problem of the week. The set also introduced flanking seats to those of the Captain’s something that Star Trek Voyager would also adopt.

In contrast to The Next Generation’s warm earth tones, the bridge of the U.S.S. Voyager presented TV viewers with the cool grays and electric blues so often associated with science fiction. Created by production designer Richard D. James and illustrator Rick Sternbach, the interior design of the bridge of Voyager introduced subtle under lighting techniques that contributed to the “deep space feel” of the show. This design also reduced the traditional two-man con and navigator positions to a single console, putting emphasis on Captain Janeway.

I love the look of these two sets because they put the focus on the characters and their actions rather than the technology all around them. Some production designers tend to get out of hand with their creations and let the look of the set overpower its inhabitants. Voyager’s and Next Gen’s bridges are awesome examples of futuristic interior design precisely because they don’t go overboard. Compare these simple designs to the complex bridges of the Enterprise-E or the franchise reboot and you’ll see Star Trek art direction run amuck. Overlapping lines, textures and lens flares get in the way of the action and detract from the audience’s ability to focus on the characters.

Designing anything, even a fictional universe is an art form. More so when a large part of that universe’s appeal centers around details. Through the years, those entrusted with designing the bridges of Starfleet have evolved and molded it again and again. These talented artists have put their stamp on Gene Roddenberry’s original vision of the future and given Trek fans a place they could easily call home. Star Trek Online will soon give players a chance to roam the bridges of some of the most beloved starships in Star Trek history, all from the comfort of their computers. So until we can all afford to build a bridge in our basement, a virtual one has to be the next best thing.

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One Fan’s Perspective on Star Trek

SPOILER WARNING: This post contains major spoilers for J.J. Abrams’ new film Star Trek. I mean really, really big spoilers. If you don’t want to know about things that might ruin your enjoyment of this movie, then you really should stop reading now and go somewhere else.

So much has been said and written about the new Star Trek film from J.J. Abrams that it seems to make little sense to write my own thoughts up. But seeing as Star Trek has been such a big part of my life ever since I was a little boy, and given that I’ve often written about Trek in the past, I figured what the heck.

Overwhelming consensus seems to be that the film is “Great!”, “Fantastic!” and “Fabulous!” Of all the guys from work that I went to see the movie with, I think I was the only one who came out of the theater not jazzed. I think Corey might have had some reservations too, but overall he was very excited about it. Did I like it? Yes I did. Did I love it? No I didn’t, at least not yet.

The Good

There are tons of things in the new film that I liked and others I even loved. In no particular order they include:

The cast: Every actor in the film did a wonderful job of translating their character for a new generation. I especially enjoyed Quinto and Pine as Spock and Kirk, but also thought Simon Pegg as Scotty was wonderful and was surprised by the turns put in by the actors behind Checkov, Sulu and Uhura.

The twists: I had seen so much of the movie in the commercials and trailers leading up to its debut that I thought I knew what was going to happen. I was surprised and delighted therefore when Kirk wasn’t the one under Uhura’s bed, but was under her Orion roommate’s instead. Same goes for the scene with Kirk sitting in the Captain’s chair with his black shirt where Spock tells him to “Get out of the chair.” It was wonderful and went against what I thought was going to happen going in.

Spock rejecting the Vulcan Science Academy: Loved this scene to death. Quinto played it to a perfect Spock “T” when he asked the elders about his “disadvantage” and basically told them to go to hell. If you had put Nimoy in that scene instead, it wouldn’t have played any differently. Brilliant stuff.

The action: It was quite a roller coaster romp from start to finish and had great pacing. The time seemed to fly by while we were in the theatre which is always a good sign.

Uhura & Spock: I thought the scenes with Uhura and Spock becoming close would bother me, but they didn’t at all. They were played very well by both actors and Abrams’ direction here was wonderful. I can’t wait to see where this goes in the sequel.

The Meh

• The music: Totally didn’t live up to Star Trek standards. The main theme (which Louie pointed out was used in almost every track of the film) seemed like it *wanted* to be Star Trek, but was just slightly off. I kept expecting to hear the familiar Next Gen theme at points in the movie, but didn’t.

• Engineering: Being the die-hard Trekkie I am, I didn’t really appreciate the way Engineering looked more like a chemical plant from 24 than the heart of the flagship of the Federation.

Enterprise in Iowa: Sorry, but the Enterprise was never built on the ground. It just wasn’t and the entire ship was never intended to land either. If Roddenberry was around today he would have told J.J. this small fact to his face. A totally unnecessary and pointless scene that would have at least been semi-credible if it had taken place in San Francisco instead of Iowa.

The Bad

Abrams’ wanting to have it both ways: The studio promised us that this wasn’t “Your father’s Star Trek” and made a big deal about how everything was different. In reality, the only things that were different were the things Abrams wanted changed. There were so many TOS classic references that when they were thrown in, they seemed oddly out of place. More than a few of them seemed gratuitous. If you’re going to promote the film as all new Trek, have the space balls to see it through to the end.

The Kobayashi Maru: As a huge fan, this was the scene I was looking forward to the most. I had run this classic tale of how Kirk beat the no-win scenario in my head dozens of times. I had always imagined it that Kirk reprogrammed the simulation just enough to make it seem like the rescue was plausible through heroic actions or sheer guile. What we got instead was a smug, overly-cocky Kirk eating an apple while everyone around him is astounded to find that the simulation has been reprogrammed. The most throughly unsatisfying bit in the entire movie.

The destruction of Vulcan & death of Spock’s Mom: Listen, I get that this probably only matters to geeks like myself, but it does. The destruction of Vulcan negates HUGE portions of Star Trek history and cannon. Sure, this is an “alternate reality”, and it was probably necessary for several of the plot points, but that doesn’t mean I have to like it. You know how you felt when Lucas made Greedo shoot first? The loss of Vulcan is like that for me.

In the end, it doesn’t really matter what I think of Star Trek. Everyone seems to love it and have hailed it as a wonderful re-boot of the series. To be honest, I’d rather have new Star Trek movies than not, so I can live with the parts I didn’t like, at least for now. I think by the time the inevitable sequel comes I’ll have come to terms with the disappointing parts of Star Trek and learned to see only the good stuff. After all, there is a great deal in the new film to like especially since I don’t enjoy being called a dickhead.

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Bare Bones Trek: TOS

After my recent Ode to an Outpost piece about Deep Space Nine, I had several readers tweet me asking for an “essentials” guide to the series. Basically it would be all the episodes of the DS9 that I would recommend to a newbie so they could become familiar with the show, watch very best parts and leave the questionable bits behind.

I actually think this is a great idea, kind of like the iTunes essentials playlists that Apple puts together for a particular genre of music. Given the fact that my friend Louie is attempting to familarize himself with Star Trek before the big movie hits next spring, I thought it best to start with Star Trek: The Original Series. If things go well, I’ll write similar guides for other Trek series, including DS9.

What follows are my bare bones suggestions for anyone who has never watched the Original Series. They are the absolute minimum a Trek newbie should watch to get a sense for the show and its characters. Of course, as with anything, your milage may vary so let me know if you found this post helpful. Thanks!

Season One

Balance of Terror

Although the episode is a bit clunky due to the fact that it’s one of the earliest scripts, it’s a must watch for any Trek newbie. The story introduces the Romulans to the Star Trek universe and defines their place in future stories. It also highlights Leonard Nimoy’s early emotional portrayal as Spock, something that quickly changes.

Space Seed

One of the best episodes of the entire series, it lays out the foundation for the second Star Trek film, The Wrath of Kahn. Filled with great drama and even a few action scenes thrown in for good measure, Space Seed helps define the history of Star Trek’s future.

Devil in the Dark

A classic haunted house tale that is the first time Kirk and Spock start to develop the friendship that carries them through the next 40 years. The episode is filled with mystery and suspense and features some nice interplay between Nimoy and Shatner. Devil in the Dark is also the first time McCoy utters his famous tag line “I’m a doctor not a…” in this case, “bricklayer”. Classic!

City on the Edge of Forever

Regarded by many Star Trek fans to be the very best episode of the Original Series, City on the Edge of Forever is a powerful love story that gives Shatner the rare chance to under-act. It also strengthens the bond between Kirk & Spock, while serving as a wonderful example of how to write an effective time travel story. Definitely a must see.

Season Two

Amok Time

Amok Time gives us a small glimpse into the history of Spock’s home planet, its culture and more. The story revolves around the “big three” – Kirk, Spock & McCoy and features a number of great scenes between the lead actors. Aspects of Vulcan revealed in Amok Time pop up in numerous places throughout all of Star Trek.

The Doomsday Machine

Not a whole lot of character development here, but that’s okay. The Doomsday Machine is one of my all-time favorite episodes and is basically an action/suspense story in space. The writers cleverly put Spock & McCoy in the middle of the action, and at each other’s throats which always makes for the best episodes.

Journey to Babel

If any new fan is looking to understand the character of Spock as portrayed by Leonard Nimoy and created by Gene Roddenberry, then Journey to Babel is your best guide. The story introduces his human mother, Amanda, and his Vulcan father, Sarek as murder breaks out aboard the Starship Enterprise. The episode features terrific character development and gives fans an understanding of the future events of The Next Generation as well as Star Trek III, IV & V.

The Trouble with Tribbles

Although this episode doesn’t contain the strongest story, or the best acting, it is a rare funny episode of Star Trek. This, plus the fact that if you get asked about Tribbles by a Star Trek fan, and you’re not familiar with them, you’re libel to get some nasty looks. It is also necessary viewing for appreciating the brilliant Deep Space Nine episode Trials and Tribulations. Trust me on this one.

The Ultimate Computer

Many episodes of Star Trek toss out the name “Daystrom” in reference to the character portrayed by William Marshall from The Ultimate Computer. Daystrom is the Star Trek equivalent of Albert Einstein, and the story showcased here reveals where the character originated. It also serves as a wonderful example of how Kirk’s love of the Enterprise effects his decision making, here and in the movies.


Season Three

Requiem for Methuselah

One of the best episodes from the third season, Requiem once again gives the big three the chance to develop their character’s relationships as they attempt to solve the eternal riddle of the mysterious Mr. Flint. The final scene in this episode serves as a sign post to understanding Spock’s ongoing relationship with Kirk, both as First Officer to Captain as well as one friend to another.

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Ode To An Outpost

SPOILER WARNING: If you’ve not watched Star Trek: Deep Space Nine, then you’ll want to beware because there are spoilers ahead (some minor, some major). Now you know and knowing is half the battle.

Ask any Star Trek fan which series is their favorite and they’re likely to tell you Star Trek: The Next Generation. Like the original series, Next Generation was created by Gene Roddenberry and was full of imaginative stories, strong characters and top notch production values. Given all this, it’s no wonder TNG forms the bedrock of the modern Star Trek franchise. But from the futuristic utopia that was Roddenberry’s Next Gen universe, sprung the series I’ve come to regard as my favorite – Deep Space Nine. Considered by many to be the “troubled middle child”, caught between Next Generation and Voyager, Deep Space Nine never received the critical praise or audience numbers it deserved.

Thanks to my friend Corey and his DS9 DVD collection, I’ve been watching Deep Space Nine from season 1 for the better part of a year. Like most TV shows, DS9 started out rocky. Episodes devoted to the “problem of the week” along with actors and directors who were unsure of the character’s motivations led to some wild over-acting and sloppy story lines early on. But unlike Next Generation which peaked in season 4 & 5 and Voyager which was barely exciting for much of its run, Deep Space Nine only got better the longer it ran.

Despite being born in the shadow of The Next Generation, Deep Space Nine quickly found its footing and by season 3 all pistons were firing. Producers had introduced the Starship Defiant to take our heroes on missions of exploration and adventure away from the station. A new, deadly enemy called The Dominion, with a dark and complex backstory was introduced that would lay the ground work for some of the best story lines in seasons 6 & 7. Strong relationships formed between major characters like Odo & Kira and Worf & Dax. Writers like Ron Moore of modern Battlestar Galactica fame, pushed studio heads to allow multi-episode story arcs, something that was frowned upon for a weekly series that needed to stand alone in syndication.

Like many fans, I could probably fill a book with all of the aspects of the show that I love. I won’t go into that level of detail but I did want to share some of my favorite parts. In no particular order, here are just some of the things I appreciate whenever I watch Deep Space Nine:

• Sisko, The Emissary – Not only did Deep Space Nine tackle a tough and controversial subject like religion, but it boldly wove it into the fabric of the DS9 universe. Making Sisko not only a heroic Starship Captain, but also a religious icon was a stroke of genious on the creator’s parts. Watching him evolve from a bitter man who lost his wife at the hands of the Borg, to become the most beloved person of the Bjorian faith was both satisfying and unexpected.

• The Ferengi – Hats off to DS9’s writers as well as the actors who played all of the Ferengi. They took two-dimensional characters driven purely by profit and injected serious helpings of loyalty, family and much needed comedy into the Ferengi lore. DS9 did for the Ferengi, what Next Generation did for the Klingons, move them beyond simple charactatures and into the realm of “real people”. I especially love Rom’s devotion to Quark despite his brother’s often less-than-stellar treatment of him. Ferengi episodes were always winners in my book.

• Worf & Dax – Simply put, one of the best reasons to watch the show. Worf had always been a favorite on Next Generation, and with Deep Space Nine, the character was given a chance to grow beyond battles and bat’leths. Their devotion to each other along with their ability to overcome seemingly impossible differences put smiles on fan’s faces. The wedding episode “You Are Cordially Invited” was a series highlight and gave us a peek inside Klingon culture no fan will soon forget. When Dax died at the end of season 6, it left a huge hole, not only in Worf’s heart, but in ours too.

• Vic Fontaine – During the original run of DS9, I positively hated Vic Fontaine episodes. The holographic night club singer, played so cooly by real-life crooner James Darren, often got in the way of stories about the Dominion or the Prophets or something else of fan interest. But as the years have passed, I realized just how great Vic was and how his stories were necessary diversions from the weight of heavier plot lines. The Vic Fontaine episodes “His Way” and “Bada Bing, Bada Bang” are now among my all-time favorites.

• Bashir & O’Brian – Every Trek series nurtures key relationships between characters and Deep Space Nine was no different. The growing bond between Miles O’Brian and Julian Bashir was a delight to watch unfold. It formed the basis of many solid stories and grounded the two characters in a reality that all of us could relate to. On their own, I can’t say I really liked Bashir or O’Brian, but their chemistry together was undeniable.

• In The Pale Moonlight – Without a doubt, my favorite episode of Deep Space Nine, it highlights the incredible acting skills of Avery Brooks and Andrew J. Robinson. The story takes several twists and turns and shows just how committed Captain Sisko is to winning the war with the Dominion. It should have won an Emmy for writing, but like all of Star Trek when it comes to winning important awards, it’s overlooked. Pity that.

• Jeffrey Combs – A skilled character actor, Combs brought flair and depth to any number of characters he played on DS9. My personal favorite had to be the conniving yet obsequious Weyhoun. Comb’s delicious exchanges with Marc Alaimo as Gul Dukat were a feast for Trek fans everywhere as was his ability to portray a villain you loved to hate. Combs’ talent was also evident as one of the bright spots in the bottomless pit that was UPN’s Enterprise. His portrayal of the Andorian Captain, Shran, actually kept me tuning in long past the point of no return.

• Morn – Always seen but never heard, the ever-present patron of Quark’s Bar started as bit part but quickly became a fan favorite. Just knowing Morn was sitting at the bar week after week gave fans like myself an in-joke that only other Niners could appreciate, and for that, we loved him to death.

All of these things, and more, made Deep Space Nine one of the best dramas on television for the seven seasons it was on TV. Near the end, the show lost much of its staff to the creative leech that was Star Trek: Voyager. Paramount’s efforts to launch the now defunct UPN network meant less money, less promotion and poor time slots that ultimately forced DS9 to end its run in 1999.

Unfortunately, unlike TNG’s crew or even Voyager’s, Trek fans have never been blessed with an appearance of any DS9 character in a single Trek film or subsequent series. In 1999’s mediocre Star Trek: Insurrection, we learned that the newly returned Janeway had been promoted to Vice Admiral. In 2002’s Star Trek: Nemesis, long time TNG characters Riker and Troi were finally married. Will we ever learn the fate of Captain Sisko or discover what became of Odo, the Great Link and the Dominion? What of Rom’s efforts to bring change to the Ferengi Alliance as Grand Nagus?

In death, as in life, Deep Space Nine remains the black sheep of the Trek family. Someday perhaps Niners will be lucky enough to have Paramount revisit the fates of Captiain Sisko, Colonel Kira, Quark and the rest. In the meantime Deep Space Nine will continue to be this fan’s very favorite Star Trek series and perhaps one of my favorite shows of all time. Thank the Prophets for DVDs.

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Trek TV Mashups

Found these awesome Star Trek TV Mashups on YouTube last night and I just had to share. It’s amazing what a DVD collection, a video editing package and too much time on your hands can get you these days. The Battlestar Galactica re-mix is my favorite, but I’m a sucker for 80’s TV so the Love Boat and Dallas versions don’t trail far behind. If you liked these, be sure to also check out the Star Trek version of A-Team and the Voyager mix of Buffy Angel. Live Long and Silly!