Hey, Travis Crabtree, The Legend of Boggy Creek Is Getting Remastered!

My favorite horror flick of all time, The Legend of Boggy Creek, has been lovingly restored and remastered and is coming to blu ray. The 1972 docudrama about the legendary “Fouke Monster”, or plain Bigfoot for you cryptozoological muggles out there, has been lovingly restored by the daughter of its creator, Pamula Pierce, and looks positively amazing.

I first saw Boggy Creek at a drive in theater with my parents as a kid and it made an impression on me that has lasted a lifetime. The film is the perfect mix of tall tales told by folksy locals, a cheesy soundtrack, out-of-focus monster shots and a vintage 70’s vibe that make it required viewing around Halloween each year. I’ve made Boggy wallpapers, written blog posts and enjoyed this flick since I was a kid (believe it or not it was rated “G” for general audiences) so I’m over the spooky moon with this news.

I’m a little concerned that cleaning up the film will detract from its overall feel of nostalgia but I’m willing to take that risk and support the efforts of the filmmakers. The film has never looked this good before so watching highlights from the restored version on YouTube is a bit surreal but to its credit still manages to give me goosebumps!

If you are a Boggy Creek fan like I am, be sure to head over to the official website and sign up to be notified when the film comes to blu ray sometime “this fall”. In the meantime, lock your doors, stay away from your windows and remember, he always travels the creek!

Holy Super-Overload, Batman!

Man ripping off shirt to reveal costume with dozens of super hero logos underneath

With Supergirl’s recent move to the CW network, I’ve started developing anxiety over this fall’s lineup of shows that start with the season premiere of The Flash on Tuesday, Oct. 4th. The CW has nearly cornered the market on the small-screen super hero genre and will have no less than four different DC properties running concurrently this fall – The Flash, Arrow, Legends of Tomorrow and Supergirl.

So far I’ve only watched selected episodes of Supergirl but I liked what I saw and with Kara’s move from CBS, I’m more inclined to watch full time since the likelihood of more frequent crossovers seem logical. Kara’s (and by extension, Superman’s) world isn’t in the same multi-verse as the other three DC properties however and so she can’t just fly to Central City and team up with Barry Allen whenever she feels like it. This is probably a good thing or I’d feel even more compelled to watch every week and I can barely keep up with three shows as it is.

The premiere season of Legends of Tomorrow wasn’t spectacular either. It featured too many characters, uneven pacing and more super-cliche’s than I could shake a stick at. I’m prepared to give the new season a go for a few weeks but if they don’t step up Legend’s quality quickly, I’ll gladly sacrifice it in order to try and keep my sanity.

Montage of Supergirl, Green Arrow and The Flash character portraits

Since all these shows reference each other, it’s important to watch them all in tandem to get the most out of them and therein lies the rub. How am I supposed to keep up with an ever-expanding array of superheroes and their villainous counterparts from week to week? Supergirl on Monday nights, The Flash on Tuesdays, Arrow on Wednesdays and Legends on Thursdays. I fear all of this is enough to make me want to swear off the DC TV universe for good.

Managing four superhero properties and their inter-relationships has to be difficult for the show runners but the payoff for the network has huge potential. By binding these four titles to each other, they’re essentially turning them into one, huge, can’t-miss CW television show each week. For fans this would seem like a win-win scenario, but with a continuous stream of quality shows like Daredevil, Agents of S.H.I.E.L.D. and the new Luke Cage series coming to Netflix, our time and attention spans are ever-shortenting. I just hope they can deliver on the kinds of quality story writing, acting and special effects that are needed to keep us all tuning in for four hours of super-programming every week. Otherwise I’m afraid I’ll be giving my DVR a much needed break.