Right Wing Roundup

The level of conservative paranoia in this country is rising fast. In the span of just a few days the media has reported on a wide range of threats to the President. Some are small, others are blatant, but all have the potential to be dangerous. Here’s a round up of just some of the extreme political posturing that is currently going on in right-wing America:

• The United States Secret Service investigates an online Facebook poll that asks if “President Barack Obama should be killed.” The Facebook application has been suspended while the poll is being looked into.

• Rep. Trent Franks (R-AZ), in a speech Saturday at the How To Take Back America conference, called President Obama an “enemy of humanity“. He also suggested the President provide his birth certificate (something Obama has already done) to prove his constitutionally eligibility to hold office. Franks later clarified his remarks saying he should have made it clear he was speaking about Obama’s abortion policies. So Obama is still an enemy of humanity, just the unborn humans.

• Conservative author John L. Perry writing for Newsmax postulates a “Military coup to resolve the ‘Obama problem’ ” is not unrealistic”. Perry, obviously not content with the normal process of democracy in the United States theorizes that the President may have to be removed from power prior to the next lawful election.

• Conservative speaker Kitty Werthmann recently led a workshop called “How to recognize living under Nazis & Communists.” She warned her audience to get their guns ready for “Bloody Battle” with Obama the Nazi.

UPDATE: Media Matters provides its own round up of extremist right-wing rhetoric and it’s not pretty. Meanwhile at Pleade The First, my friend Anthony rightfully calls out conservatives and dems alike to stand up to this subversive speech and denounce it out for what it is – treason.

Losing iReligion

A great deal has been written about the App Store, both good and bad, and much of it comes from developers I know and respect. It almost seems pointless to add my own thoughts to those who are more widely known and respected than I am, but given how my feelings have evolved regarding the App Store recently I think it’s worth a shot. If what I have to say gives a potential iPhone developer reason pause and re-examine their entry into the space then it will have been worth it.

The App Store is broken. I know from the outside glancing in, it may not look that way but it is. It also doesn’t seem like it’s broken from Apple’s point of view since the store and its tens of thousands of software titles have helped place the iPhone firmly at the head of the smart phone industry. But speaking as a small developer who’s been releasing Mac software for over a decade, the App Store is broken. The ironic part is that if you had asked me this a few months ago I would have denied it with my dying breath.

Since it first launched in July of 2008, the App Store has been evolving and changing to suit the needs of both Apple and consumers. Unfortunately for developers many of these changes have hurt more than they have helped. The utter race to the bottom of the pricing structure by thousands of developers has created tremendous pressure to set applications at either free or near free price points. I know this first hand because when Twitterrific for the iPhone first debuted we set it’s price at $9.95 which, by today’s App Store standards, is almost unheard of. It wasn’t long before lagging sales and increased pressure from competition forced the Iconfactory to lower the application’s price to $3.99, still “expensive” by App Store standards. Not only was the price lowered, but the feature set was more than doubled and yet many users still complain it costs too much. While these changes represent perks for users, it also means that sustaining profitability for a given piece of software in the App Store is nearly impossible unless you have a break-away hit.

This leads me to the next point of failure for the App Store – visibility. Everyone has heard about the so-called “gold rush” certain developers have experienced. Flight Control’s 1.5 mil sales record. Trism’s incredible $250,000 short-term bonanza. But for every one of these lottery wins in the store, there are hundreds, if not thousands of developers who see little if any return on their investments of time and money. What’s worse, the success or failure of a particular piece of software in the App Store depends as much on Apple deciding to feature your creation as the creation itself. One can shift the tables in one’s favor with a sizable advertising budget, but many of us like the Iconfactory don’t have such generous resources at our disposal.

When the Iconfactory & DS Media Labs released our latest iPhone game, Ramp Champ, we knew that we had to try and maximize exposure of the application at launch. We poured hundreds of hours into the game’s development and pulled out all the stops to not only make it beautiful and fun, but also something Apple would be proud to feature in the App Store. We designed an attractive website for the game, showed it to as many high-profile bloggers as we could prior to launch and made sure in-app purchases were compelling and affordable. When the moment came, Ramp Champ shot up the charts quickly but just as quick, it hit a brick wall. Within days the app that had peaked at #56 on the top paid chart fell off the top 100 despite receiving praise from users and reviewers alike. The lack of store front exposure combined with a sporadic 3G crashing bug conspired to keep Ramp Champ down for the count.

A new version that corrected crashing was completed quickly, but once again the App Store reared it’s broken head as the review process kept the fix out of user’s hands for almost two weeks. By this time it was too late and momentum had been lost. Despite a “What’s Hot” feature by Apple in the App Store, Ramp Champ’s sales have not lived up to expectations for either the Iconfactory or DS Media Labs. What’s worse, many of the future plans for the game (network play, online score boards, frequent add-on pack releases) are all in jeopardy because of the simple fact that Ramp Champ hasn’t returned on its investment.

In order for a developer to continue to produce, they must make money. It’s a pretty simple concept and one that tends to get lost in the excitement to write for the iPhone. It’s difficult for me to justify spending 20-50 hours designing and creating new 99¢ levels for Ramp Champ when I could be spending that time on paid client work instead. I would much rather be coming up with the sequel to Space Swarm than drawing my 200th version of a magnifying glass icon. But I’d also like to have some assurances from Apple about reducing the length of the App Store approval process, having the ability to respond to factually incorrect iTunes reviews, not be limited to 100 beta testers, or that large, prominent developers won’t always get preferential treatment. In short, I’d like to know things will be fixed and I don’t mean merely posting a page of marketing text in iTunes Connect.

It is a truism that everyone who creates content is a control freak. From fine artists that decide what gallery their work will hang in, to architects who scratch tooth and claw with stubborn clients about what materials will be used in construction. Software developers are no different. We all want as much control over our creations as we can possibly have and the App Store in it’s current state has removed a significant level of control from our hands. I’m not ready to throw my lot down with those who have renounced the platform just yet, but unless some significant changes come very soon, myself and others like me will have no choice but to focus our development efforts elsewhere.

UPDATE: Several developers have contacted me and told me privately that they think it isn’t so much the App Store that’s kept Ramp Champ from being a success as it is the game itself. Given the fact that Freeverse’s newly released and shallower ‘Skee Ball’ currently sits at #6 in Top Paid apps in the store, part of me wants to agree. I could second-guess myself about what didn’t go right with Ramp Champ but in my heart of hearts I know RC is better than 90% of the games that get to the top of the list. I have to keep telling myself that what doesn’t kill us will make us stronger in the end. Hopefully.

UPDATE II: Seems I’m not the only one cooling to the idea of developing for the iPhone. Macworld’s Dan Moren reporting from the C4 independent developers conference says many of the developers are frustrated at their lack of control in the App Store. I’m glad to know I’m not the only one.

UPDATE III: Marco Arment has written an excellent piece that addresses my post. I agree with much of the analysis there and tend to think that their may indeed be “two App Stores” so to speak. As a result of suggestions from both Marco and the commenters here, Ramp Champ’s vague app store description has been re-written and new screen shots posted to show more content. Thanks to everyone who suggested these changes, I think they will definitely help sales.

Amazing Race Revs Up Again

Season 15 of CBS’s Emmy Award winning reality television series, The Amazing Race, beings this Sunday, September 27th at 8pm est. As usual, 12 teams will compete in a race around the world for a chance to win $1 million U.S. dollars and in the process explore new cultures, foreign traffic jams and maddening airport delays. I’ve been watching The Amazing Race since season one and despite an unchanging formula, it remains my favorite reality series ever.

This season’s field of entrants include a pair of Harlem Globetrotters, former (now unemployed) executives for National Lampoon, a duo of professional poker players and the usual assortment of dating, engaged and married couples. Over at the Iconfactory, I start a pool at the start of every season of the Amazing Race to pick the show’s winning couple. Judging these human books by their covers, one could easily pick Sam & Dan, brothers, to go all the way. They look like they’re in good shape and they’re brothers so there shouldn’t be any unknowns between them. It’d be poetic justice to see the Globetrotters trounce the other teams on a world wide race, but something tells me they won’t last beyond episode 5.

No matter who wins, I’m just happy that The Amazing Race has returned once again to fill my Sunday nights. The show is exciting, dynamic and this season promises to offer new, unseen twists and turns. I’m so addicted to TAR that I’ve been filling the down time between seasons with showings of The Amazing Race Asia. The show “can be found” on the tubes if you know where to look and offers much of the same frantic travel goodness as it’s U.S. counterpart. It may not have Phil Keoghan, but the host obviously enjoys his job and the non-US centric cast and locations is a welcome change of pace. In the meantime, head on over to CBS.com and meet this season’s teams, check out Phil’s video diary and then be sure to tune in Sunday night for one wild ride. Remember, travel safe!

Your Right Wing

CNN reports from yesterday’s Tea Party demonstration in Washington D.C. and discovers a “dark fringe“. Better late than never I suppose. The problem is that this so-called fringe is not really just a few people, it’s tens of thousands and growing every single day. These are people who spout complete and utter lunacy as if it were fact. Sterilization camps, the return of communism, forced abortion and much more are all part of their world view. If watching this clip doesn’t scare the living crap out of you, then you must be a Republican.

The problem I have with these people isn’t that they are taking to the streets to express their batshit crazy views. This is the United States of America and they are pretty much free to say whatever they want (short of actually threatening the President). I also think it’s wonderful they can protest out in the open and are not confined to “free speech zones” like those set up by the previous administration.

My problem is that all of these people seem to forget that issues like health care reform were part of the process running up to the election last fall. America listened to the discussion, we watched the debates and we decided we liked what Obama represented and put him into office. If that simple truth is too bitter a pill for the right to swallow, then they should have showed up on November 4th to vote for John McCain in greater numbers. They can protest to high heaven, but it doesn’t change the fact that they’re all sore losers and unfortunately more than a few of them are closet racists. Something tells me if our President was a white southerner who was pushing for these kinds of health insurance reforms, we wouldn’t be seeing this level of anger and protests. Think I’m crazy? Then why were so many of the Tea Party members silent while George W. Bush was running up the largest deficit in U.S. history? No, it’s never been about the money or the policies for the majority of these people, it’s about Barack Obama and their loss of power. Plain and simple.

UPDATE: Politico puts some of this in perspective along with the idea that Obama has a heavier burden than most new Presidents due to his race. There is strong evidence that many people in this country can’t bring themselves to accept a black President. I whole-heartedly agree. Gwen Dawkins, Democratic activists says “Black people have lived under white presidents since day one,” Dawkins observed, “So would you give him a chance?” Unfortunately it appears blind hate and ignorance of facts trumps history, tolerance and common sense.

Beethoven’s 5th, Visualized

After watching this awesome, retro visualization of Beethoven’s 5th, I suspect we’ll be seeing a lot more of these very soon. So cool.

Hat tip to Buzzfeed

Shaping the Future

Watching the President speak about health care reform this evening, I’m reminded why I voted for him. His words were clear and his tone was assertive. He took those who spread misinformation about the bill to task and actually used the word “lie”. He spoke in no uncertain terms that he was willing to listen to ideas from both the right and the left, and yet while he was doing this, Republicans in the room treated the occasion like so many town hall meetings that have degenerated into shouting matches these past few weeks.

I don’t agree with everything Obama has done so far in office. I’d like the transparency he promised in the campaign and an end to Bush era provisions such as warrant-less wiretaps. I’d also like to see more of what he showed tonight. A willingness to stand up and fight for his beliefs and to challenge those who would stand in the way of progress simply to score political points.

His presidency is still young but when he takes the time to assert himself, it demonstrates why we believed in him despite his relative inexperience. Tonight, the right was made to look like the obstructionists they are. The GOP agree reform is needed, but they are unwilling to compromise on the key points that will make the health care proposal effective at lowering costs and providing care for those who lack it. Near the end of his speech, the President said: “We did not come to fear the future. We came here to shape it. I still believe we can act even when it’s hard. I still believe we can replace acrimony with civility, and gridlock with progress. I still believe we can do great things, and that here and now we will meet history’s test.” I firmly believe this administration can do great things, Barack just needs to get out in front a bit more. We’re buying, it’s just that up until now, he’s hasn’t really been selling. That changed tonight. It’s about time.

My Top 10 Sci-Fi / Fantasy Shows

The writers over at IO9 recently put together a mega-post of their top 100 sci-fi and fantasy shows of all time. While I agree with many of their selections, the top 10 left something to be desired. They say if you want to build a better mouse trap you had better do it yourself so I’m only too proud to present you with my list. Here is my definitive collection of my 10 all-time favorite science fiction and fantasy television shows. Some of these may very well be your favorites too so I encourage you read on and then post your personal list in the comments below. Engage!

SPOILER WARNING: This post contains both minor and major spoilers for the TV shows discussed. If you don’t want to know key plot points, then you should skip the series you’ve not watched. Now you know and knowing is half the battle.

• • •

Xena: Warrior Princess

1995 – 2001

When Xena: Warrior Princess first hit the scene in 1995 it seemed like little more than a cheesy ode to the likes of Conan the Barbarian. But as the story lines and the characters evolved, Xena quickly amassed a large fan following. The on-screen chemistry between Lucy Lawless as Xena and Renee O’Connor as Gabrielle was undeniable and the writers took advantage of it whenever possible. The “close” relationship between the lead characters became a rallying cry for gay and lesbian fans of the series and helped boost Xena beyond mere comic book camp. No matter what outlandish villain the duo faced, their strengthening love and loyalty for each other always felt real. Add in some serious amounts of action, on-location cinematography and the show’s ability not to take itself too seriously and you have a fantasy adventure that lands Xena in my number 10 spot.

Favorite episodes:

A Day in the Life
The Bitter Suite
A Comedy of Eros

• • •

Mystery Science Theater 3000

1988 – 1999

“If you’re wondering how he eats and breathes and other science facts… LA LA LA then repeat to yourself it’s just a show, I should maybe just relax!” Fans of MST3K have no doubt that it’s one of the best television shows ever to grace the airwaves. Granted the science fiction aspect of Mystery Science Theater was simply a vehicle for heckling old cheesy movies, but the hook worked. Each week we’d tune in to see the latest invention exchange followed inevitably by the stinker movie that Joel or Mike & the Bots would be forced to endure.

MST3K always played to the intelligence of its audience and threw out obscure references that only the most hard-core geeks would find funny. I am proud to say I was one of those geeks and so the show never failed to please. Japanese monster movies were always a sure fire winner, but so were the plethora of public service films that MST3K loved to roast. Who can forget A Date with Your Family? Salad needs more butter, mother!

Favorite episodes:

Invasion U.S.A.
Space Travelers
Boggy Creek II: And The Legend Continues

• • •

Doctor Who

1963 – Present

Doctor Who holds the distinction of being the longest running science fiction show on television. The British born sensation has been a favorite of mine since I first started watching the series in the Tom Baker years. Through the decades the writers behind Doctor Who have managed to keep audiences coming back for more thanks to the cleverest plot device in sci-fi history – regeneration.

When the character of the Doctor “dies”, his body regenerates into a new form, conveniently played by a new actor. So even though the infamous Daleks, Cybermen and Sontarans may be retreads, how the Doctor deals with them constantly feels fresh. Add in an ever evolving set of traveling companions played by a wide range of actors and you have a creation loved by fans around the world.

Doctor Who occasionally flirts with “monster of the week” syndrome, but more often the writing, acting and stories all form a cohesive whole that is the stuff of science fiction legend.

Favorite episodes:

Bad Wolf
School Reunion
Blink

• • •

Farscape

1999 – 2003

Although Farscape held obvious similarities to an earlier sci-fi favorite, Buck Rogers, it was ultimately the show’s attention to detail, snappy writing and marvelous aliens that made it such an endearing series. Conceived by Rockne S. O’Bannon and produced by Jim Henson Productions and Hallmark Entertainment, Farscape went out of its way to create characters and aliens the likes of which, no audience had seen before. From the living space ship Moya and her admirable companion, Pilot to the gorgeous blue-skinned Zhaan, Farscape bucked Star Trek’s trend of portraying aliens as humans with “bumpy noses”. The incredible special effects were indeed awesome, but it was frequently the complex relationship and sexual tension between the lead characters of John Crichton and Aeryn Sun that made Farscape one of the greats.

When it was suddenly and unexpectedly cancelled by Sci-Fi Channel CEO Bonnie Hammer in 2003, fans like myself were devastated. Luckily Farscape has survived in various forms beyond its cancellation and continues to be a source for stunningly original story lines and strong female characters.

Favorite episodes:

Crackers Don’t Matter
Out of Their Minds
Revenging Angel

• • •

Futurama

1999 – 2004

If ever there was a television show created by geeks for geeks, Futurama would be it. Futurama was penned by Matt Groening of “The Simpsons” fame and developed for TV by Groening and David X. Cohen. Both men have a huge admiration for science fiction in film and TV and every episode oozes with reverence for those that came before it. Futurama also boasts some of the most versatile voice actors ever to hit the small screen such as Billy West and Lauren Tom. The original animated series is among my all time favorites to watch over and over with quotable lines of dialog and characters that often leave me in stitches. The show is also notable for its frequent celebrity guest appearances such as Al Gore, Stephen Hawking and almost the entire cast of the original Star Trek.

Comedy Central recently announced it is bringing Futurama back from the great beyond with an entire run of all-new episodes. As far as this geek is concerned, it couldn’t have happened to a nicer bunch of animated aliens, robots and disaffected starship captains. Oh my, yes!

Favorite episodes:

Love’s Labours Lost in Space
Kif Gets Knocked Up A Notch
Parasites Lost

• • •

Star Trek: The Next Generation

1987 – 1994

In the late 80′s Star Trek creator, Gene Roddenberry, finally managed to launch his sequel to the original Star Trek. As Gene penned an update to the Trek universe, he cleverly kept the best parts of the original (the struggle to understand humanity, exploration of the unknown, loyalty & morality) and jettisoned the rest. Roddenberry also knew he didn’t want retreads of Captain Kirk, Doctor McCoy or Mr. Spock, but he did want characters that were just as strong and vibrant.

Instead of a youthful man of action, Roddenberry invented Picard, a captain based as much in exploration and intelligence as Kirk was in machismo. The character of Spock was reinvented into that of the android Data, played masterfully by Brent Spiner who should have easily won an Emmy for his work on Next Gen. The design of the Enterprise, the crew’s gadgets and even the look of the bad guys radically changed. While the resulting effort was impressive (especially for Trekkers), the show stumbled for the first two years.

The Next Generation started to hit its stride with the Emmy Award winning season three cliff hanger “The Best of Both Worlds” and really didn’t look back for the rest of its seven year run. By any measure the acting, special effects and stories behind Next Gen were always top notch. Unfortunately the show was saddled by the very element that gave it life – syndication. Since the show’s time slots varied from market to market, producers frowned on having multiple episode story arcs that audiences would have to keep track of from week to week. Instead Paramount pushed Roddenberry for compartmentalized plots that didn’t require continuity or audience loyalty. While Next Gen did occasionally dabble in long-term story development, it wasn’t until its successor, Deep Space Nine came of age, that writers were able to take advantage of season long arcs. The need for Star Trek: The Next Generation to fit neatly into 45 minute stories is what keeps it from being higher on my list of favorites. Everything else about TNG earns the show my number 5 spot.

Favorite episodes:

The Best of Both Worlds Pt 1 & 2
Yesterday’s Enterprise
Data’s Day

• • •

Buffy the Vampire Slayer

1997 – 2003

To say that Joss Weadon, creator of shows like Buffy, Firefly and Dollhouse has a rabid fan base would be an epic and geeky understatement. Weadon’s fictional universes are intricate, compelling and crafted with cauldrons full of love. Such was the case with Buffy the Vampire Slayer which began life as the TV reboot of the failed movie of the same name. Starring Kristy Swanson as Buffy, Joss later admitted none of the film’s characters were what he had envisioned.

What Joss created with the help of Sarah Michelle Gellar and the rest of the WB’s Buffy cast were stories and characters that quickly became a cult hit. Teenagers all over the country easily identified and thrived on the every day problems of these high school students who just happened to live on the Hellmouth. As the show progressed, the relationships that Weadon built between Buffy, Giles, Willow, Xander and the rest gave the Buffyverse a strange sense of familiarity even in the face of utter fantasy and chaos. Like Xena, Buffy was one of the first weekly TV shows to portray a strong, gay main character, that of Willow Rosenburg which reflected America’s growing comfort with such issues being portrayed on national television. Other controversial topics tackled on Buffy included drug addiction, school shootings and even rape, all cleverly framed and discussed within the guise of a fantasy setting.

Those who watched Buffy the Vampire Slayer will often cite it as one of their very favorite shows. Sadly, there are scores of people who won’t go near it simply because they judge the book of Buffy by its cover. To these people I say – give the Slayer a chance. The show was smarter, more poignant and often more entertaining than any police, medical or legal drama it aired against during its entire six year run. Yes, it’s that good.

Favorite episodes:

Hush
Once More With Feeling
Tabula Rasa

• • •

Star Trek (Original)

1966 – 1969

IO9 listed the original Star Trek as their number one scifi show of all time and I can certainly understand why. Back in 1967 audiences had never seen anything like it. The show as dreamt up by Gene Roddenberry, envisioned a future where man had learned to put aside his differences and work together in harmony. The crew of the Starship Enterprise was populated with every facet of the human race and even one very special Vulcan. Lead by the courageous Captain Kirk, Star Trek boldy went where no man had gone before and set the pattern for a billion dollar science fiction franchise in the process.

Many people have tried to articulate what made Star Trek so popular. Some have theorized that at a time when social and political turmoil was at its height, Star Trek’s positive outlook for the future gave audiences something hopeful to grab onto. But for many kids like myself growing up in the 70′s and seeing Star Trek in syndication, it was always about the relationship between the three friends – Kirk, Spock and McCoy, that made Star Trek such a childhood favorite. As a kid I could never stand the episodes where Kirk and Spock, either via alien influence or shared misunderstanding, were pitted against each other. My favorites were always the stories that allowed Kirk and Spock to team up and solve problems, be they alien, moral or spiritual, together.

By any of today’s television standards, the original Star Trek seems quaint. The show’s effects have been remastered, and the acting is often over the top, but the appeal of the characters and the strength of the underlying stories are undeniable. If they weren’t, Kirk, Spock, Sulu, Scotty and company would never have evolved to become the pop culture icons they are today. The show gave all of its fans hope for the future, inspired generations of youngsters to become doctors, scientists and engineers and preached concepts of tolerance and diversity. Not bad for what Gene Roddenberry once pitched to NBC simply as “Wagon Train to the stars.”

Favorite episodes:

The Ultimate Computer
City on the Edge of Forever
The Doomsday Machine

• • •

Battlestar Galactica (New)

2003 – 2009

If Ron Moore’s re-imagined Battlestar Galactica had remained as strong throughout its entire run as it was in its first two seasons, the show would have easily been my number one choice. When it aired in 2003, BSG was met with a firestorm of criticism from fans of the original series for everything from cylons looking like humans to Boomer and Starbuck’s portrayal by women. Moore wisely ignored the critics and forged ahead with his gritty vision to bring us the story of the destruction of the Twelve Colonies at the hands of the merciless robot Cylons.

The show immediately delved into political and sociological intrigue as it gave us some of the most realistic characters ever to be written for a science fiction series. From the honorable Adama who struggles to lead his fleet to Earth, and Laura Roslin, the school teacher who has the weight of humanity thrust upon her, to the heroic Starbuck and conniving Gaius Baltar, Galactica is replete with classic archetypes. The show moved at lightening pace and wove themes of religion, genocide, sexuality and redemption with the skill of a master tailor.

The failure of Battlestar Galactica is one that often hits series riding high on a wave of popularity – it failed to adequately plan for its final destination. As the third and fourth season progressed, it seemed clear that Moore didn’t have a clear plan about where he wanted to take his characters. The show spent years building up questions fans were dying to have answered in solid, satisfying ways. Instead the audience had to deal with multiple “plot dumps” as well as characters like Starbuck and Cavil morphing to become shadows of their former selves. The writers concentrated story lines around discovering “The Final Five” and gradually turned the dreaded cylons into humanity’s tenuous allies.

Battlestar Galactica was at its best when action was high, characters were true to themselves and humanity’s survival was hanging by a thread. There were enough of these moments to push BSG all the way up to my second favorite sci-fi show of all time. If the final season of Galactica had been even 1/4 as strong as the first, I dare say it might have gone down as one of television’s best dramas. Instead it stands as an impressive example of how a talented writer can rework a strong, original concept and turn it into a compelling, epic story for our generation.

Favorite episodes:

33
The Hand of God
Exodus Pt 1 & 2

• • •

Star Trek: Deep Space Nine

1993 – 1999

So here we are at my favorite sci-fi and fantasy show. Deep Space Nine holds this special place in my geeky heart for many reasons, some of which I’ve written about before both here and at the Sci-Fi Cast. Putting aside the top notch acting from Avery Brooks, Andrew Robinson, Nana Visitor, Rene Auberjonois, Armin Shimerman and the rest, Deep Space Nine dared to do things other scifi series, especially Star Trek, didn’t.

Also, unlike Battlestar Galactica which started out hitting on all cylinders, it took several years for DS9 to find its footing. Although looking back now, you never would have realized this because DS9 was an immediate hit with fans and critics alike. The show was nominated for Emmy Awards every year of its run in makeup, cinematography, art direction, special effects, hairstyling, music (direction and composition), and costumes. In 1999 Deep Space Nine was rated the #1 syndicated show in America. The cast was even featured on the cover of TV Guide a total of ten times during it’s seven year run. Not bad for a show that constantly struggled to emerge from the shadow of the Next Generation. Despite its success, looking back on the series now it is easy to spot how the writers struggled to find voices for Odo, Quark and even Sisko at the show’s outset. It wasn’t until Ron Moore joined the production in season three as a supervising producer that the show’s direction started to solidify.

From the show’s conception the writers had dared to mix a volatile topic like religion into the heart of Deep Space Nine. But as the seasons progressed, Sisko’s struggle to reconcile his position as a Starfleet captain with that of Bajor’s most important religious figure, the Emissary of the Prophets, provided the fuel for propelling his character forward. The continuing theme of the occupation of Bajor by the Cardassians not only gave the actors solid material, but it also stayed true to Roddenberry’s vision of Trek’s “mini morality plays”. The chemistry between DS9 duos Kira & Dukat and Garack & Bashir were a delight to behold week after week and kept the audience wanting more. Deep Space Nine also allowed Star Trek fans to get a peek at married life through the union of Worf and Dax, a highlight of seasons 5 & 6.

Finally, as Deep Space Nine’s run neared completion, the ever-worsening threat of the war with The Dominion proved to be a spring board for story after incredible story. It provided the ammunition the writers needed to to push the envelope with multiple episode arcs and skillfully allowed for the construction of dramatic plot points over the final four seasons. Unlike BSG which went out with a whimper, Deep Space Nine’s final season was a roller coaster ride peppered with humor, awesome character development and satisfying, emotional resolutions to long established plot points and questions.

Deep Space Nine is my favorite sci-fi show because it took all the best parts of Star Trek and combined them with all the best parts of a yet-to-be-written BSG. It wove these aspects together with incredible acting, masterful special effects, skillful storytelling and a respect for its audience. I’ve watched all seven seasons of DS9 at least five times and it keeps getting better every time I revisit it. The same cannot be said for Next Generation, the original Star Trek or even Battlestar Galactica and that’s why Sisko and company is at the top of my TV heap.

Favorite episodes:

In the Pale Moonlight
The Sacrifice of Angels
Trials and Tribulations