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As the Washington D.C. inauguration of our 44th President approaches, news comes from Politico that many sore loser Republicans are planning on getting the hell out of dodge. Seems like they’d rather fly off to places like Las Vegas, New York or even Switzerland and revel in George Bush’s last minutes in power than play their dutiful part in creating a bi-partisan government. Charlie Spies, a Republican lawyer and former CFO to Mitt Romney’s campaign is planning a “Misery loves company” bash for fellow GOPers in Nevada:

“What better way to mark the Obama Inauguration (and his millions of adoring fans that will be in D.C.) than to get out of town to fabulous Las Vegas! We hope you can join us for dinner and a fun evening on Monday, Jan. 19, to celebrate the last few hours of our Republican president in the White House.”

I knew Republicans despised losing the reins of power, but their reported childishness pushes the limit, even for them. I can understand wanting to get away from D.C. and the huge crowds of tourists that are about to descend on the city, but to essentially whine like sore losers while the rest of the country celebrates is hardly becoming those in government. Between defending racist behavior and crying foul when the other side wins, the GOP is in for a LOOOOONG four years. If they had a collective brain among them, they’d wise up, take responsibility and earn some respect. Then again, maybe elephants will eventually learn how to fly.

SPOILER WARNING: This post contains basic spoilers for all six Star Wars films. If you are the only person left in the universe who has not seen these movies, then you might not want to read on. Just sayin’.

If there was a bright spot regarding the Star Wars prequels, it was the opportunity for fans to get answers to many of the questions Lucas introduced in episodes IV, V and VI. Fans were hungry for any information relating to the Jedi Order, the evil Sith, where Anakin came from, the story of his children and more. With very few exceptions, Lucas dutifully managed to tie up many of the various plot lines in neat little bundles and send even the most rabid fans home satisfied.

Although I freely admit I’m far more of a Trekkie than a Star Wars geek, there are still questions that none of the six movies answered to my satisfaction. Since I’m not familiar with every bit of the Star Wars universe, I thought I would throw some of these questions out to the masses and see if anyone had plausible explanations for how they fit into the grand scheme of all things Star Wars.

“Do you remember your real mother?”

In Return of the Jedi, right before Luke goes off to turn himself over to the Vader and the Emperor, he has a farewell talk with Leia where he explains why he has to leave. Luke begins the scene with a simple question to Leia “Do you remember your mother? Your real mother?” Leia responds that “She died when I was very young. She was beautiful, but sad.” When I saw this scene in the theatre (before the prequels) I assumed Leia was speaking of her real mother, not her adopted one, which is the point of Luke asking about her “real mother”. But since we know from Revenge of the Sith that Padmé died in child birth, Leia couldn’t have been talking about Padmé.

The dialog is confusing on several levels and because of that, I don’t think we have an accurate understanding of whom Leia is describing. Luke is obviously trying to get some info, any info on his mother, and so he asks his sister about their collective mom. But since the story from Episode III doesn’t jibe with what Leia describes, this entire scene seems to be apocryphal. If Leia was simply describing Queen Breha Organa, then there was little dramatic motivation for Luke’s question in the first place.

“The son of Skywalker must not become a Jedi”

Although Lucas does a satisfying job of explaining the birth of Luke and Leia, and how they were hid from the Empire, we are still left with a pivotal unanswered question. Namely how and when did Darth Vader discover he had a son? The answer to this question isn’t just one of curiosity, it also holds one of the key developments in the entire story arc. Since Emperor Palpatine lies to Vader and explains that Anakin’s own anger killed Padmé, the eventual discovery of Luke must come as a revelation on multiple levels. This revelation would logically be the tipping point where Vader decides to plot to overthrow the Emperor.

The most logical explanation is that after the Battle of Yavin, Imperial spies learn that the young rebel who destroyed the Death Star was named Luke Skywalker. Vader instantly realizes he has a son and that the Emperor has lied to him. If this is the case, then this dramatic development is one of the greatest missed opportunities in the entire series. I would love to see how Vader’s rage played out against the Emperor, but alas this was not to be.

From the audience’s point of view, the first time Darth is informed about the “Son of Skywalker” is in The Empire Strikes Back when the Emperor himself tells Vader that “The son of Skywalker must not become a Jedi”. Thanks to Vader’s non-reaction in this scene, between Episodes III and V, Darth must somehow learn of Luke, the Emperor’s deception about Padmé’s death, and a long lost son. Through all of this, ironically Vader doesn’t even blink. I don’t buy it for one second.

The Virgin Birth

In The Phantom Menace we learn the origin of Anakin Skywalker. Shmi tells Obi Wan and Qui-Jon that amazingly, Anakin had no father. This in itself wouldn’t be too difficult to accept, except for the strange scene in Revenge of the Sith where Palpatine tells Anakin the tragedy of Darth Plagueis. The future Emperor relays the story of a Sith master so powerful he was able to control life itself. The subtext of this scene is that Plagueis was Palpatine’s master and that it was Palpatine himself who slew Plagueis after he had taught his young apprentice everything he knew.

Given the implied nature of the scene, we are left with many questions. Chief among them - is Palpatine Anakin’s “father”? Did Plagueis himself will Anakin into existence by using Shmi Skywalker to bring him to term? Did Palpatine kill Plagueis when he learned he was grooming a replacement apprentice? All of these questions (and more) are never answered in the films. Some Star Wars comics have put forth theories about these plot points, but since they cannot be considered “cannon” they remain only fan speculation.

Although it’s no secret that I consider the prequels to be inferior follow-ups to the original Star Wars trilogy, it is none-the-less a testament to Lucas’ storytelling that I find myself asking these questions, even today. The archetypes he used in weaving the Star Wars universe are powerful and speak to the allure of great drama. Given Lucas’ propensity to keep churning out all things Star Wars, we may very well get many of our answers. I think I speak for fans everywhere when I say, go for it George, just leave Jar Jar in a galaxy far, far away… from us.

Video games are supposed to be fun. Any game’s primary purpose is to engage and entertain in ways that are new, exciting and challenging. Which is why early calls from critics and fan boys alike that the Nintendo Wii console was just a passing “fad” were out of their depth. The argument went that since the Wii didn’t have the horsepower, graphics or true HD support that the XBOX 360 or Playstation 3 had, it was doomed to failure.

In September of 2007, the Nintendo Wii surpassed sales of both its rivals and has never looked back. This year the Wii weathered its second holiday season with flying colors. According to VG Chartz the Wii sold an incredible 1.7 million units the week before Christmas. By comparison, Microsoft’s XBOX 360 sold 535,806 units and SONY’s struggling PlayStation 3 sold a mere 239,576. VG states that when December is done, Nintendo will have sold more than 3 million Wii’s for the month, an astounding number especially considering the current economy.

It is certainly true that most fads enter the market in a blaze of glory and then promptly burn themselves out. However, they also rarely have direct competition from similar products. Fans never had to consider “My Pet Log” when running out to the store to own their first “Pet Rock“. Fads are unique and unpredictable and by their very nature, a flash in the pan. From the very beginning, the Nintendo Wii was designed to be the very opposite of a fad.

From the Wii’s conception, Nintendo’s game designer Shigeru Miyamoto said the console was not about graphics or frame rates, but user interaction. He wanted to make a new way for players of all ages to interface with video games, and he succeeded. Unlike the XBOX or PS3, the Wii was the first video game platform that appealed to adults in large numbers. The Wii has become hugely successful in retirement homes where seniors play endless hours of Wii Bowling and even tone their aging muscles with Wii Fit. Hard core gamers can’t stand this aspect of the Wii. PS3 and XBOX fan boys argue that any console granny plays isn’t a “real” system, and is only geared for kids and old people. Somehow they say this with a straight face while SONY & Microsoft blatantly copy the parts of the Wii that people love like motion sensors and customizable player avatars.

Will the Nintendo Wii manage to stay off the competition for yet another Christmas? If I was a betting guy, my money would definitely be on Miyamoto and not Ballmer. That being said, eventually the Wii’s unique game play will lose its novelty and the console’s sales will slow. But rest assured, Nintendo has plans for the Wii’s successor that takes all the best parts and improves the rest. Nintendo didn’t become the giant of the video game world it is today by following others, Miyamoto and company had the vision to lead. They skillfully knew what the rest of the industry is only now figuring out - frame rates and flop cycles will only get you so far, but fun lasts forever.

John Gruber over at Daring Fireball links to an intriguing piece by Paul Kafasis on the state of the App Store. The post compares Walmart’s strategy to sell disposable, cheap goods to those of App Store “ringtone” developers which are forcing down prices. My friend and business partner, Craig Hockenberry wrote about this very topic a few weeks ago in a piece that put him in the crosshairs of quite a few people.

After Craig’s piece was published, and indeed after reading the post by Kafasis, some are under the impression that more expensive “AAA” apps are doing just fine thank you very much. The theory goes that one only has to look at the App Store top 10 list to understand it’s not price that gets you into the top 10, but quality. This, plus marketing on the part of the developer are all that’s needed to boost your software into the top 10 of the App Store. Reading through the comment thread at Inside iPhone it all seems so simple. All a developer has to do is market their app and the rest will take care of itself! Why didn’t I think of that?

The part I love the most is that the people making the “just market your app!” comment have no real idea how much effective marketing costs. Oh sure, you can go far on viral and word-of-mouth marketing, but it all pales in comparison to even a small banner graphic in the App Store. The Iconfactory could spend tens of thousands of dollars buying up targeted advertising space to promote Frenzic, but it still wouldn’t be 1/10 as effective as the front page graphics that Dropship, Marley and Texas Hold’em are enjoying (for free) as I write this. Not only that, but I have no way to track metrics for advertising pointing at Frenzic in the App Store. I can’t gauge how effective a $75 blog ad versus a $2,600 DF sponsorship is because Apple doesn’t currently give me stats of people clicking through to my software. Anyone who says “Just market it!” doesn’t have a solid grasp on how the App Store works.

Another example is Rolando. People are holding this app up as the ultimate example of a quality, non ringtone app that is enjoying success in the store. It is true that Rolando is a fantastic game worthy of the top spot it once held. It is also true that Apple promoted Rolando from DAY ONE in the App Store with major graphics both in iTunes and on Apple.com. All that exposure helped to get Rolando into the top of the store when it launched. But its $9.99 price point is like an anchor. As I write this, Rolando sits at #30 in the top 100, and #10 in games. Let me repeat that. #10. In games.

So what is in the App Store top 10 right now? iFart Mobile is number one which is still riding high on a wave of PR thanks to being originally barred. Crash Bandicoot, which is featured in national Apple television spots is #2. Tetris, perhaps the most well-known video game in history, is #3. Three more ringtone apps come in as 4, 5 & 6 including the months old iBeer. Touchgrind, which also enjoyed prominent Apple billing, is #7. Bejeweled 2 is number 8, PocketGuitar ($.99) is #9 and SimCity rounds out the top 10. All of these apps either enjoyed uncommon press exposure, have a nationally known brand or are priced at $.99. Quality definitely plays a role in getting to the top, but price and “Apple love” play a larger part.

Does this all mean that developers like myself will abandon making quality iPhone applications like Twitterrific and Frenzic? Of course not. I just wish that people who think they know how the App Store works would admit that they really don’t. The App Store is still in flux and much is unknown. What I do know however is that there are key factors to getting to the top of the store, chief among them being price and exposure from Apple. No amount of 3rd party marketing, done on a small developer’s budget is going to change that simple fact. What’s worse (or better, depending on your point of view) is once you are in the top 10, even if you’re app is a “limited utility” ringtone app, because you’re in front of millions of eyeballs both on the device and in iTunes, you’re bound to stay there.

I don’t know exactly how to fix the App Store, but everyone I’ve spoken with agrees that it needs fixing. If not fixing, at least a change in how it favors certain apps while hindering others. The more we talk about this stuff, the better it will be for both developers and customers alike.

You’d think that after the pasting they received in November, the GOP would be busy figuring out why they are so out of touch with the American people. Of course, you’d be wrong. Apparently Republicans are interested in alienating even more of the country as they insist on playing to the hard base.

Witness the arrogant and bigoted tone of one RNC Chair candidate, Chip Saltsman. Saltsman sent out copies of a song entitled “Barack the Magic Negro” as part of his Christmas greeting. The song, originally publicized by Rush Limbaugh earlier this year, came under fire from the media and anyone with a brain for its racist overtones. Somehow Saltsman saw fit to make the tune part of his holiday message. All this with less than 30 day to go until the inauguration of Barack Obama as the 44th President of the United States. To top it off, in the 20+ hours since this story first broke, only one high-ranking Republican has condemned Saltsman’s actions. Just one.

If the GOP has any hope of regaining the respect it lost over the past eight years, they must begin by pulling their heads out of their collective asses. It’s bad enough making a joke by calling someone a “magic negro”, but when that person is the next President of the United States and you actually defend said remarks, you deserve huge helpings of ridicule and scorn.

Sadly, this is yet more evidence that the right has no interest in doing what’s best for the country. Until this dipstick stunt, the prime example of the GOP’s pandering attitude was McCain pulling Palin out of obscurity as his running mate. Saltsman’s actions flow from the natural progression of this costly strategy and I for one hope they keep it up. Their foolish bravado is laying the foundation for a long-term Democratic majority the right hasn’t seen in decades. Saltsman says his song was “just a joke”, but the really funny part is the joke’s on him.

UPDATE: Peter Yarrow, one of the artists behind “Puff the Magic Dragon”, speaks out on the whole affair and hits the nail right on the head. He writes “Obama is not a candidate. He is the President-Elect, and this song insults the office of the Presidency, the people who voted for him, as well as those who did not — and taking a children’s song and twisting it in such vulgar, mean-spirited way, is a slur to our entire country and our common agreement to move beyond racism.”

UPDATE II: Simon Rosenberg, head of the Democratic organization NDN, is quoted in a recent Huffington Post piece as saying the GOP just don’t get it. “The core play in the GOP playbook for 44 years has been the magic negro playbook, whether it is Willie Horton, or welfare queens and tax and spend, or the way they have dealt with immigration… they don’t have a play in their playbook that doesn’t start with the exploitation of racial divisions. They are going to have to reject 44 years of GOP politics in order to have any chance in the 21st century America.”

What happens when Christmas and capitalism get together? You get an idea from 2 weeks worth of Christmas Catalogs that were sent to my house from late November to early December. I didn’t request any of these things, they just showed up in our mailbox. Before you ask, yes, they were recycled. Merry Christmas everyone!

While I was surfing around looking for some last minute Christmas presents, I came across a little piece of Star Trek heaven. This new Seven of Nine 7″ figure, sculpted by Rudy Garcia is just one in a set but it’s a pretty good likeness and who wouldn’t want a little Seven on their desk? The clincher however is the incredible marketing text that accompanies the item:

“Seven of Nine’s grimly pallid countenance is moderately contradicted by the voluptuousness with which she occupies her form-fitting sculptured chassis.”

Sold and sold! I think “form-fitting sculptured chassis” is the most elaborate way I’ve ever heard someone say “nice rack!”. If you have a Trek fan on your Christmas list, this might be just the thing the holographic doctor ordered. Then again at this late stage in the game you’ll probably need a temporal anomaly to get it to your doorstep on time. Oh well, there’s always next year!

Back on December 1st, I put on my artist’s hat and wrote a post about the importance of icon design and how it shouldn’t be taken for granted or seen as an afterthought. The post garnered a fair amount of exposure and I received a great deal of positive feedback from designers and developers alike on the importance of icon branding and standing out in the App Store.

Near the end of the piece, I offered up this unassuming little opinion which has caused me a fair amount of stress these last few days:

“Lately, developers have taken to plastering “SALE” or “60% OFF!” within their icons. They’ve become lazy and let the iPhone software mar their design with glossy highlights which obscure efforts to brand their software. Fight the urge to cheapen your brand and instead give your icons the love and attention they deserve. You’ll still sell boat loads of copies and your users just might end up thanking you at the same time.”

What is the source of my distress? Over the course of the past week, the Iconfactory and ARTIS Software jointly agreed to put our game Frenzic on sale for the Christmas holiday. From the moment we launched the product, we had always planned on temporarily lowering the price for the holiday rush. When I wrote the original post I was unaware of the importance the app’s icon plays in marketing an online sale. I’m guessing you can probably see where this is heading. As the app went on sale today, it reluctantly sported a new badge. The same type of badge that I railed against in my original post.

If you care as much about icons and design as I do, then you’re probably asking yourself how I could allow something like this to happen. At first I couldn’t figure it out myself, and then it became very simple. I took off my “designer hat” and put on my other one… the one that says “business owner”.

The business owner in me doesn’t wrestle with many of the lofty ideals that my inner designer aspires to. Being a partner in a successful company sometimes means doing what’s best for the health and growth of the business, especially in today’s unsure economy. It’s easy to criticize someone’s design decisions when you’re on the outside looking in. You think you’ve got everything figured out, but then your app starts to sink off the App Store and suddenly nothing’s as simple as you thought.

Although I initially resisted calls to slap a “For sale” badge on our icon, I came to realize that it was one of the most important ways to get people who had previously dismissed Frenzic due to its $4.99 price tag to take another look. The change may not affect sales at all, but on the other hand, it may help to get Frenzic in front of more people’s eyes than ever before. If that means that I have to eat a hefty helping of crow in order for us to maximize our exposure in the App Store, then I say pass the ketchup.

Ask any person what’s their favorite adaptation of A Christmas Carol, and you never know what they’ll say. There have been so many versions of the classic tale over the years, it’s daunting to pick a single version. I suspect that for most people, their favorite is the one they were introduced to as a child.

Without a doubt, my favorite version of Charles Dickens’ A Christmas Carol is the 1970 musical adaptation, Scrooge starring Albert Finney, Kenneth More and Alec Guinness. Produced by the same team that gave the world Oliver!, Scrooge is perhaps the liveliest version of the story I’ve ever known, and for my money the most satisfying. It features a memorable array of songs, strong acting and a large, energetic cast that gives the film the feeling of a broadway production.

Although the film never won any Oscars, Albert Finney did win a Golden Globe in 1971 for Best Actor in a musical or comedy. Finney is the heart and soul of Scrooge and manages to make us both despise and love the character simultaneously. From our glimpses into his past as an abandoned boy, to the heartbreaking loss of his finance Isabel Fezziwig, Finney’s Scrooge is a real person, with a host of dreams squandered in the pursuit of wealth.

When Scrooge’s transformation finally arrives at the end of the second act, it’s made all the more believable thanks to Finney’s incredible depth as an actor. As Ebenezer awakens at the foot of his bed to learn he has been given a second chance, Finney performs the moving “I’ll Begin Again” and makes us actually believe he has changed for the better.

Too many adaptations spend hardly any time after Scrooge turns from the dark side. I enjoyed the George C. Scott version of A Christmas Carol, but the end is very short and just doesn’t give you that “It’s a Wonderful Life” feeling that the end of Scrooge does. All this, combined with some of the most beloved holiday songs from composer Leslie Bricusse, add up to one of my all-time Christmas favorites. Since the soundtrack has never been released on anything other than vinyl, I’ve spent the last few Christmases making my own by digitizing and editing the audio from the DVD release. If you’re interested in getting a copy of it, drop me a line and let me know. I’ll be happy to share my efforts with you.

What version of A Christmas Carol is your favorite? Patrick Stewart’s performance? Bill Murray in Scrooged? Don’t forget Mr. Magoo’s Christmas Carol! Don’t be a humbug, drop a note in the comments and share your memories with the rest of us. Merry Christmas everyone!

After my recent Ode to an Outpost piece about Deep Space Nine, I had several readers tweet me asking for an “essentials” guide to the series. Basically it would be all the episodes of the DS9 that I would recommend to a newbie so they could become familiar with the show, watch very best parts and leave the questionable bits behind.

I actually think this is a great idea, kind of like the iTunes essentials playlists that Apple puts together for a particular genre of music. Given the fact that my friend Louie is attempting to familarize himself with Star Trek before the big movie hits next spring, I thought it best to start with Star Trek: The Original Series. If things go well, I’ll write similar guides for other Trek series, including DS9.

What follows are my bare bones suggestions for anyone who has never watched the Original Series. They are the absolute minimum a Trek newbie should watch to get a sense for the show and its characters. Of course, as with anything, your milage may vary so let me know if you found this post helpful. Thanks!

Season One

Balance of Terror
Although the episode is a bit clunky due to the fact that it’s one of the earliest scripts, it’s a must watch for any Trek newbie. The story introduces the Romulans to the Star Trek universe and defines their place in future stories. It also highlights Leonard Nimoy’s early emotional portrayal as Spock, something that quickly changes.

Space Seed
One of the best episodes of the entire series, it lays out the foundation for the second Star Trek film, The Wrath of Kahn. Filled with great drama and even a few action scenes thrown in for good measure, Space Seed helps define the history of Star Trek’s future.

Devil in the Dark
A classic haunted house tale that is the first time Kirk and Spock start to develop the friendship that carries them through the next 40 years. The episode is filled with mystery and suspense and features some nice interplay between Nimoy and Shatner. Devil in the Dark is also the first time McCoy utters his famous tag line “I’m a doctor not a…” in this case, “bricklayer”. Classic!

City on the Edge of Forever
Regarded by many Star Trek fans to be the very best episode of the Original Series, City on the Edge of Forever is a powerful love story that gives Shatner the rare chance to under-act. It also strengthens the bond between Kirk & Spock, while serving as a wonderful example of how to write an effective time travel story. Definitely a must see.

Season Two

Amok Time
Amok Time gives us a small glimpse into the history of Spock’s home planet, its culture and more. The story revolves around the “big three” - Kirk, Spock & McCoy and features a number of great scenes between the lead actors. Aspects of Vulcan revealed in Amok Time pop up in numerous places throughout all of Star Trek.

The Doomsday Machine
Not a whole lot of character development here, but that’s okay. The Doomsday Machine is one of my all-time favorite episodes and is basically an action/suspense story in space. The writers cleverly put Spock & McCoy in the middle of the action, and at each other’s throats which always makes for the best episodes.

Journey to Babel
If any new fan is looking to understand the character of Spock as portrayed by Leonard Nimoy and created by Gene Roddenberry, then Journey to Babel is your best guide. The story introduces his human mother, Amanda, and his Vulcan father, Sarek as murder breaks out aboard the Starship Enterprise. The episode features terrific character development and gives fans an understanding of the future events of The Next Generation as well as Star Trek III, IV & V.

The Trouble with Tribbles
Although this episode doesn’t contain the strongest story, or the best acting, it is a rare funny episode of Star Trek. This, plus the fact that if you get asked about Tribbles by a Star Trek fan, and you’re not familiar with them, you’re libel to get some nasty looks. It is also necessary viewing for appreciating the brilliant Deep Space Nine episode Trials and Tribulations. Trust me on this one.

The Ultimate Computer
Many episodes of Star Trek toss out the name “Daystrom” in reference to the character portrayed by William Marshall from The Ultimate Computer. Daystrom is the Star Trek equivalent of Albert Einstein, and the story showcased here reveals where the character originated. It also serves as a wonderful example of how Kirk’s love of the Enterprise effects his decision making, here and in the movies.

Season Three

The Tholian Web
Kirk is totally taken out of bulk of the episode and what is left is the best single example of the chemistry between Spock & McCoy. Although they often jab and argue, deep down they respect and like each other, a plot point that serves as the driving force behind Star Trek III: The Search for Spock as well as IV the Voyage Home.

Requiem for Methuselah
One of the best episodes from the third season, Requiem once again gives the big three the chance to develop their character’s relationships as they attempt to solve the eternal riddle of the mysterious Mr. Flint. The final scene in this episode serves as a sign post to understanding Spock’s ongoing relationship with Kirk, both as First Officer to Captain as well as one friend to another.